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Disertaciones |
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1
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NATALIA VARGAS
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Yo Cantante: una búsqueda por la libertad expresiva
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Líder : JULIANA ALVES MOTA DRUMMOND
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MIEMBROS DE LA BANCA :
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JULIANA ALVES MOTA DRUMMOND
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JULIANA REIS MONTEIRO DOS SANTOS
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MARCOS EDSON CARDOSO FILHO
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MARCELO EDUARDO ROCCO DE GASPERI
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Data: 28-ene-2022
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Resumen Espectáculo
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Esta investigación comprende estudios sobre el potencial dramatúrgico y performativo de la
voz en el acto de cantar, considerando la relación entre los cantantes y sus modos
expresivos. A partir de estudios teórico-prácticos sobre los conceptos de Acción Vocal y
Contacto, investigamos los dispositivos que pueden permitir a estos artistas lograr, por sí
mismos, una calidad expresiva orgánica, singular y relacional. Debido al contexto de
aislamiento sanitario, establecido por la pandemia del Covid-19, la autoetnografía demostró
ser un camino posible - un plan B - para la continuación de este trabajo. Algo como un
“cuaderno de bitácora” con episodios de la trayectoria profesional y estudiantil de la autora y
el análisis de un debate online con profesores de voz / canto de la Universidad Federal de São
João del Rei, son parte de la metodología de esta investigación. Ella investiga cómo - y si - la
Acción Vocal y el Contacto amplían la percepción del cantante, transmutan la materia prima
personal en creación artística y mejoran la relación con el otro para compartir la experiencia
del canto. Esta investigación propone pensar en una forma interdisciplinaria de trabajo para
los cantantes en formación que, se espera, contribuirá a la reflexión sobre la sistematización
de la enseñanza del canto popular en Brasil.
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2
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TAIS CAROLINE DE SOUSA
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SENSITIVE CARTOGRAPHY OF AFFECTS: SELF-CARE THROUGH THE RESEARCH OF THE BODY POWER
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Líder : ADILSON ROBERTO SIQUEIRA
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MIEMBROS DE LA BANCA :
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EDUARDO TESSARI COUTINHO
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ADILSON ROBERTO SIQUEIRA
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JULIANA REIS MONTEIRO DOS SANTOS
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Data: 31-ene-2022
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Resumen Espectáculo
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This theoretical-practical research aims to investigate the association between the concept of docile body and illness even as how the theatrical experience enables a sensitive education through a performative-perceptive work in which it is intended to point and strengthen new possibilities of subjectivation. Considering the care of the self as a rescue of the subject’s potencial in the face of the perspective of illness so that, in this way, the importance of artistic work in institutions for health care can be investigated.
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3
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PRISCILA DE SOUZA CHAGAS DO NASCIMENTO
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Scenotechnics, the creation of the workers of the scene: a study on the functions of scenotechnical workers in the city of São Paulo
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Líder : BERILO LUIGI DEIRO NOSELLA
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MIEMBROS DE LA BANCA :
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JORGE FERREIRA SILVA
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BERILO LUIGI DEIRO NOSELLA
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FABIANA SIQUEIRA FONTANA
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JOSE DA SILVA DIAS
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Data: 21-feb-2022
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Resumen Espectáculo
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The present dissertation is a study about the understanding of the function and the craft of the cenotechnician worker in the city of São Paulo. The investigation and analysis of the cenotechnician craft takes place parting from a historical understanding based, initially, on legal regulations at the federal, state and municipal levels. The first document to be considered, Decree No. 5,942 of 1928, is the result of a bill presented by federal deputy Nicanor Nascimento in 1925. The text in question imposes on companies the obligation to follow the commercial labor code when hiring artists and theater assistants. The analysis of this and other pertinent laws is necessary, because it is through the nomenclatures used to define the technical offices that the career is established in the legal scope and, in a broad way, in the historical-social. The category of cenotechnician was regulated and is understood today through Law No. 6,533 of 1978, being described in the attached table of Decree No. 82,835 of the same year. In addition to the legal bases, the research analyzes bibliographic materials that present definitions of the role or the occupation of the cenotechnician and that follows the period of implementation of the laws. The work also presents as a document, interviews carried out with cenotechnicians, in search of a current understanding of their craft, enabling a dialectical reflection between the practice witnessed by the worker and the theoretical definitions analyzed. To achieve this objective, we invited professionals that work in the area to participate in this research, whose careers began in the 1970s - a moment marked by the regulation of the category with the advent of Law nº 6.533 of 1978. Considering the importance of the self-definition of these professionals about the work performed, for the understanding of what is the function and the craft of the cenotechnics, the accomplishment of these interviews, given the clipping, establishes a dialogue through the sharing of the individual experience of each interviewed professional and the memory of the cenotechnics craft
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4
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ALEXSANDRA LARA REIS GUIMARÃES
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The actress-dancer's work on herself: Shivam-yoga as a training proposal.
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Líder : ADILSON ROBERTO SIQUEIRA
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MIEMBROS DE LA BANCA :
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ADILSON ROBERTO SIQUEIRA
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JULIANA REIS MONTEIRO DOS SANTOS
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ALBA PEDREIRA VIEIRA
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Data: 14-mar-2022
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Resumen Espectáculo
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This research aims to study the daily training and body preparation of actress/dancer Alexsandra Lara, based on ShivamYoga techniques, which is of tantric origin, applied to theater, based on the actor's preparation. We seek here a close relationship between yoga and theatrical work, understanding that between the two practices there is a crossing, a transdisciplinarity and, in this way, we approach how the possible transdisciplinary crossings between these two disciplines and others can erect/articulate practices, procedures, methodologies of the creative process of the actor-dancer/performer, whose transdisciplinary results are present in the ways of his artistic making and performance of actions, spectacles and bodily practices
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5
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Olívia Mara Rodrigues de Melo
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Palhaça Birota: Debates between memory and power relations in clowns and in the female body
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Líder : ALBERTO FERREIRA DA ROCHA JUNIOR
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MIEMBROS DE LA BANCA :
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CARINA MARIA GUIMARAES MOREIRA
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CLAUDIO ALBERTO DOS SANTOS
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DANIELE PIMENTA
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Data: 12-may-2022
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Resumen Espectáculo
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This dissertation seeks to analyze the work of Mariana Gabriel, as Palhaça Birota. She works as a film producer and clown, and performs during the screenings of the documentary: My grandmother was a clown. The documentary tells the story of his grandmother Maria Eliza Alves, who acted as clown Xamego at Circo-teatro Guarany, in the early 1920s. Brazilian. I seek to draw analyzes and connections between her work and the field of clown and clown historiography. Considering the paradoxical thought of the impossibility of a reliable description of Mariana's work, of her performances, but being possible to think about them from the recognition of the inaccessibility of this totality, observing them as something not static and fixed in history. Deploying in the empirical sense, therefore, the archive is not being considered here as a set of gathered documents, not as mere coincidence, in its materiality. The researches are crossed by philosophical questions, between biopower and biopolitics, passing through the notions of power, of hegemonic systems, which affect the fields of women's history writing, feminist struggles and the debate of clown women.
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6
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Flora Cunha Lucena
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"THE CROSSROAD: THE THEATER AND THE CITY IN THE 'Encomendação das Almas' IN SÃO JOÃO DEL-REI".
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Líder : CLAUDIO JOSE GUILARDUCI
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MIEMBROS DE LA BANCA :
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CLAUDIO JOSE GUILARDUCI
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ALBERTO FERREIRA DA ROCHA JUNIOR
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LILIANE FERREIRA MUNDIM
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Data: 07-jun-2022
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Resumen Espectáculo
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With this research, it is proposed to observe, through the study of the Catholic ritual "Encomendação das Almas" and its records in the 19th, 20th and 21st centuries, aspects related to the intertwining of the city, ritual and culture of São João. The "Ordering of Souls" ritual is not exclusive to the city of São João del-Rei. However, in the municipality in question, this occurs in a different way in relation to other Brazilian states that have documented and studied this ritual. In this way, the "Order of Souls" becomes an important object of study for two points: first, because it is poorly documented; and, secondly, by demonstrating how the same ritual of common origin can change and have different approaches depending on the way it is performed. Here, in the present research, the interest falls on the spectacular relations between ritual and the city. To enable the research of the chosen object, the methodology was developed based on the observations and monitoring of the Ritual of "Ordering the Souls” carried out in 2020, in the analysis of documents (scores, brotherhood books, wills, etc.) and a bibliographic survey. The research method used will be qualitative, as it allows exploring and understanding the ritual through memories and document analysis, in addition to the observation of the research object, enabling a greater understanding of the existing relationships between the processes involved in such devotion.
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7
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Vinicius Cristovão Ribeiro de Carvalho
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x
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Líder : MARIA CLARA GUIMARAES FERRER CARRILHO
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MIEMBROS DE LA BANCA :
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MARIA CLARA GUIMARAES FERRER CARRILHO
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CLEBER RODRIGO BRAGA DE OLIVEIRA
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Veronica Fabrini Machado de Almeida
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Data: 15-jun-2022
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Resumen Espectáculo
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x
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8
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Plínio Pereira Rezende
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Experience and knowledge in Minas Gerais: The Artist/Teacher and the practice of Theater in the face of laws and norms in public schools.
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Líder : CLAUDIO JOSE GUILARDUCI
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MIEMBROS DE LA BANCA :
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BERILO LUIGI DEIRO NOSELLA
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CLAUDIO JOSE GUILARDUCI
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ELISABETH GONCALVES DE SOUZA
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MARIA CLARA GUIMARAES FERRER CARRILHO
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Data: 30-jul-2022
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Resumen Espectáculo
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The present work aims to analy2e the work of the Art teacher and his daily dealing with Art in public schools and its relations with the laws and rules from the BNCC (Base Nacional Comum Curricula). For that, we used the sDeeches and interviews of some teachers who participated in the online event “Conversations with teachers from the Public Network (Municipal and State)” The study will have a look at the concept of “experience” in the process of artistic teaching and learning, through the thinking of researchers and scholars such as Valéria Gianechini de Araûjo (2016), Jorge Larrosa Bondia (2002), Paulo Freire (1978), among others. With that, we observe the existing disparities between the laws and norms in the public school.
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9
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LAURA DE PAULA RESENDE
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scenic lighting; Color theory; Sensoriality; Visuality; Brazilian illuminators.
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Líder : BERILO LUIGI DEIRO NOSELLA
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MIEMBROS DE LA BANCA :
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BERILO LUIGI DEIRO NOSELLA
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CIBELE FORJAZ SIMOES
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NADIA MOROZ LUCIANI
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Data: 23-nov-2022
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Resumen Espectáculo
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10
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Vanessa Aparecida de Resende Gomes
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THE "ROLE BECOMING" OF THE FIGURE OF THE TEACHER IN THE CLASSROOM: A PROPOSAL FOR THEATER EDUCATION IN HIGH SCHOOL
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Líder : ANDRE LUIZ LOPES MAGELA
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MIEMBROS DE LA BANCA :
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ANDRE LUIZ LOPES MAGELA
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HÉCTOR BRIONES VÁSQUEZ
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MARCELO EDUARDO ROCCO DE GASPERI
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Data: 16-dic-2022
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Resumen Espectáculo
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This research aims to reflect on how performing activities and the "personalization" of the teacher in classroom can help in proposals that are effective in High School, given the lack of interest of students in classes held with archaic methods of teaching. Such reflections were made on the basis of the path taken through the emergence, development and consolidation of the character entitled "Vanessão", which initially appeared just to draw the students attention and make them to be attentive to the Art classes, and, later, became an important figure, making its contribution through contents of the subject that were passed on to the students by the character and not only by the teacher. For this purpose, classes were analyzed in which students experienced the use of characters, associating the subject in the textbook with the experiences of each one. After analysis of the obtained results, the research proposes the sharing of lived experiences in classroom for future lesson planning, not only of Art, but also of other contents, with the intention that teachers can create more organic, dialogical and integrative classes within the teaching-learning process. Among the authors cited in this research, some names and ideas are fundamental when discussing the issue of education, theatrical language and performance in school, such as Paulo Freire, Ingrid Dormien Koudela, Schechner.
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11
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Eder Nunes Saldanha
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THEATRICAL GAMES AS A DEVELOPMENT FACTOR WITH PEOPLE WITH DOWN SYNDROME - A BIBLIOGRAPHIC ANALYSIS
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Líder : ANDRE LUIZ LOPES MAGELA
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MIEMBROS DE LA BANCA :
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AMANDA VALIENGO
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ANDRE LUIZ LOPES MAGELA
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MARCELO EDUARDO ROCCO DE GASPERI
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Data: 21-dic-2022
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Resumen Espectáculo
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This research develops a bibliographical analysis of previous research considered relevant, which used or used improvisational theatrical games aimed at people with Down Syndrome. To this end, the references were more delimited to those that are based on principles that prioritize the works of Viola Spolin (2010) and Augusto Boal (1977), primary sources of the concepts and perspectives used. These authors will assist in the delimitation of the object investigated, as well as in understanding the historical, social, cultural and political context of theatrical pedagogy, a universe in which people with disabilities will be considered here. In this direction, I seek with this analysis to effectively and focus on pedagogical theatrical workshops aimed at people with Down Syndrome, not only in the inclusive therapeutic context in a more bodily or individual sense, but also in the social sphere, in its socialization components. There is also a juxtaposition, in the analyses, of proposals of theatrical situations that provide participants with contact with the theatrical scene, through play, poetic and aesthetic, as well as the opening to a repertoire of work that can be carried out in a simple and brief way, both for those who study and conduct these classes and for those who participate in them, without the obligation to delve into theatrical techniques that have no relevance and/or feasibility in such situations. Another aspect of the present study are considerations about capacitive and its conceptualization, which still begins its presence in debates, discursive wheels and social media. It is in this record of theater as a social, perceptive and conscious act, that I investigate in previous research already existing the possibilities of contact of theatrical language as an attractive experiment for the person with Down Syndrome, explaining what would be the "limitations", where and in which they are, and also clarifying how they do not placeimpediments to these theatrical actions. Through the most different principles of the theatrical proposals defended, I try here to opportunistize and achieve the enjoyment and artistic creations established and analyzed.
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12
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André Luiz Moura Siqueira
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FOR A PERFORMATIVE INSTALLATION - Trails, Traces and Vestiges of a Creation Process
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Líder : CLAUDIO ALBERTO DOS SANTOS
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MIEMBROS DE LA BANCA :
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CLAUDIO ALBERTO DOS SANTOS
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MARCELO EDUARDO ROCCO DE GASPERI
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MARIA CLARA GUIMARAES FERRER CARRILHO
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Data: 22-dic-2022
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Resumen Espectáculo
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For a Performative Installation: Trails, Traces and Vestiges of a Process of Creation, is a theoretical-practical research proposal generated from the course of master's degree. It is a set of actions that transit between experiments from borderline language of the expanded field of performing arts. We sought to apprehend the concept of installation in view of the approach to creation devices here worked. For this, an attempt was made to understand the characteristics of the aspects conceptual and artistic, thus proposing a reflection from the installation and the possible approximations with the scenic language. Establishing gaze and having as main artistic and theoretical references, Jorge Glusberg (2013); gilbert Icle (2019); Jussara Janning Xavier (2019), Cecília Almeida Salles (2011), because in these researches, the creation processes highlight the unfinished gesture. Starting from intercessory artists other lines were stretched from the great ball, Antonin Artaud (1896-1948), Chiharu Shiota (1972), Hélio Oiticica (1937-1980), Sonia Gomes (1948) and Edith Derdyk (1955), artists who were/are intercessors, inspirers and with which they are/are, as a foundation with the constitution of this dissertation. weave a wide panorama, similar to a large patchwork quilt, scrutinizing and pointing out possible inventive directions for sewing from the materiality of the cardboard and the unfolding of its wefts. Through two moments, the assembly and realization of the Performative Installation, one in the city of São João del- Rei-MG and Gurupi-TO. With these displacements it was possible to approach, interaction and involvement with the participating public. I present and analyze through several images: the trails, traces and vestiges of these paths and processes of the work as a whole.
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