Disertación/Tesis
2024
Disertaciones
1
  • MIGUEL LEVI DE OLIVEIRA LUCAS
  • BET ON FAILURE: CLOWNCRAFT AND SUBJECTIVATION

  • Líder : ANDRE LUIZ LOPES MAGELA
  • MIEMBROS DE LA BANCA :
  • ANDRE LUIZ LOPES MAGELA
  • JULIANA REIS MONTEIRO DOS SANTOS
  • Tiago Moreira Fortes
  • Data: 15-feb-2024


  • Resumen Espectáculo
  • This dissertation aims to bring the practice of clowning closer to the Foucauldian and Deleuzian conceptual universe, by discussing the concepts of Body-Without-Organs; Prudence and Ritual; Subjectivation; Self-care; Resistance; Tactics and Strategies; associating them with excerpts from workshops and shows seen during its making, in 2022, at the International Circovolante Clown Festival. The research carries out a brief preparatory movement, reflecting on the implications of the cartographic method, adopted as its methodology; as well as discussing in more detail specific excerpts from a series of Theatric Education workshops held at the State University of Minas Gerais in alliance with the concepts previously worked on. Furthermore, it produces a brief reflection on the place of the clown within neoliberal society, pointing out how the practice of clowning, if carried out based on the principles of caution and criticism, can prove to be an ethical way out for the subject: in a society that only encourages the subject to seek success, failing can be a route of escape for those who are interested in autonomous ways of living

2023
Disertaciones
1
  • Tatiana Lagdem Aurelio dos Santos
  • From uterus to body composition: the performance of the initiation ritual as maintenance of the memory of Candomblé de Angola in Abassá de Jagulenã-RJ

  • Líder : CARINA MARIA GUIMARAES MOREIRA
  • MIEMBROS DE LA BANCA :
  • ALBERTO FERREIRA DA ROCHA JUNIOR
  • CARINA MARIA GUIMARAES MOREIRA
  • DENISE MANCEBO ZENICOLO
  • MARIA CLARA GUIMARAES FERRER CARRILHO
  • Data: 26-ene-2023


  • Resumen Espectáculo
  • The present study aims to analyze the performative acts inscribed in the neophyte's body during the initiation ritual as a means of maintaining and transmitting the memory of  Candomblé de Angola practiced in Abassá de Jagulenã, having as a premise the  elements and perspectives that formed the cosmovision of this religious  manifestation of Central African origin in Brazil, as a set of knowledge and signs that confer a character of spectacularity. The research develops from the analysis of a subjective experience  dialoguing with the space of the terreiro and the academic arena, finding in the cosmovision of Candomblé de Angola a source of knowledge that shares both with the Performing Arts and with other areas of knowledge. This research process is developed having as a starting point, the researcher's terreiro experiences within the religiosities of African matrices and as a member of the Abassá de Jagulenã community, locus of provocation of her questions regarding the bodily changes suffered during the initiation process. 

2
  • Elis Fernanda Gonçalves Ferreira
  • CARTOGRAPHY OF THE DRAMATURGIC CONSTRUCTION OF THE SHOW DEPARTURES from TEATRO DA PEDRA

     
  • Líder : ANDRE LUIZ LOPES MAGELA
  • MIEMBROS DE LA BANCA :
  • ANDRE LUIZ LOPES MAGELA
  • JULIANA REIS MONTEIRO DOS SANTOS
  • MARCELO EDUARDO ROCCO DE GASPERI
  • Data: 05-jun-2023


  • Resumen Espectáculo
  • This research intends to build a cartographic examination (KASTRUP, PASSOS, ESCOSSIA, 2012) of the dramaturgical construction process of the show Partidas, created in 2021 by Teatro da Pedra, a professional theater group based in the city of São João del Rei, of which I am co-founder and work as an actress and art educator. To do so, I will contextualize the origin of the first movement that inspires us, as artists of the scene, and that makes us enter the universe of research and creation of the show: the stories of women, from the interior of Minas Gerais, who left their homeland to work in domestic services in capitals or larger cities, their beliefs, their customs, their pains and their trajectories.
    I will describe how, from an educational project adapted to be carried out in a pandemic year, we came across data related to the rural exodus from the interior of Minas Gerais and how this information called us to build a theater work that is intended to be accessible to all possible audiences. As this data, which deals with a specific region of Brazil, the small town of Coronel Xavier Chaves, represents many others, expanding the treated content to the status of a national issue. We started from the micro, geographically speaking and as a number of people involved in the data and research and, suddenly, we realized the representation of a macro situation that, I can say, portrays many of the interiors of Brazil.

3
  • Marlon Jeferson da Silva Santos
  • THEATER OF ONESELF : DECOLONIAL CREATIVE PROCESSES IN THE SCHOOL SPACE

     
  • Líder : ANDRE LUIZ LOPES MAGELA
  • MIEMBROS DE LA BANCA :
  • ANDRE LUIZ LOPES MAGELA
  • JULIANA ALVES MOTA DRUMMOND
  • LEONARDO AUGUSTO PAULINO
  • Data: 07-jul-2023


  • Resumen Espectáculo
  • This master's dissertation is intended to develop an investigation process of an epistemic field of Theater Education (MAGELA, 2017, 2018, 2019, 2021) with the aim of transforming the role of educator into a decolonial role, capable of destabilizing the colonial structures of Eurocentric hegemonies present in our schools and in our curriculum. Having the school as a locus, the research was developed from the educator-student relationship, mediated by artistic practice, based on decolonial notions in dialogue with the principle of “self-care” (FOUCAULT, 1994, 2004, 2006). By believing in the research process as a continuous practice of investigation and intuition, the Somatic-Performative Approach (SPA) (FERNANDES, 2014, 2018, 2022) emerges as a challenge when thinking about a methodological path for the construction of decolonial creative processes, bringing as artistic practice as an organizing axis. We appropriated and incorporated into the artistic process carried out, some elements of the Somatic-Performative Approach from the perspective of the Somatic-Performative Research (PSP), as we believe that the investigation, when starting from the lived body (soma) as a means of creation, production and reflection, is capable of build a link between theory and practice, thus making artistic practice and the body in all its potential, core elements of all research.

4
  • Josiane Pereira dos Reis
  • Ephemerality – Layers of Authorial Creation
  • Líder : ADILSON ROBERTO SIQUEIRA
  • MIEMBROS DE LA BANCA :
  • ADILSON ROBERTO SIQUEIRA
  • JULIANA REIS MONTEIRO DOS SANTOS
  • JESSE DA CRUZ
  • THEREZA CRISTINA ROCHA CARDOSO
  • Data: 14-jul-2023


  • Resumen Espectáculo
  • The dissertation entitled "Ephemerality: Analysis of the Creative Process of Corporeal Dramaturgy" focuses on the investigative process in choreographic creation. Its organization is inspired by the coffee cycle, used as a poetic metaphor that permeates the personal and professional trajectory of the master's student. The researcher's biography is examined (planting), artistic references are highlighted (harvesting), experimentation and analysis are conducted (processing and curing), and the work and its principles are presented (tasting). Through this analogy, the principles and guidelines that guided the development of the artistic work are demonstrated, from the influence of the researcher's own biography to the incorporation of artistic references such as Antonin Artaud, Pina Bausch, and Jiri Kylian. The analysis and experimentation carried out allowed for the refinement of the elements used in the narrative creation, culminating in the presentation of the original work "Ephemerality."

5
  • Matheus Cunha Rodrigues
  • A REFLECTION ON THE REPRESENTATION OF SEXUALITIES AND GENDER IN THE PERFORMING ARTS: THE PLAY THE KISS OF THE SPIDER WOMAN

  • Líder : ALBERTO FERREIRA DA ROCHA JUNIOR
  • MIEMBROS DE LA BANCA :
  • ALBERTO FERREIRA DA ROCHA JUNIOR
  • CLAUDIO JOSE GUILARDUCI
  • MARIA CLARA GUIMARAES FERRER CARRILHO
  • THEREZA CRISTINA ROCHA CARDOSO
  • Data: 25-jul-2023


  • Resumen Espectáculo
  • In the first chapter we discussed the norms and conventions that guide the understanding of sexuality and gender based on concepts from their studies. Researchers like Judith Butler, Simone de Beauvoir, Michel Foucault, João Silvério Trevisan, and others were part of the bibliographic references. In the second chapter, we discuss Manuel Puig's multi-award winning work, analyzing the expressions of the characters throughout the plot, with a special focus on their conduct on gender and sexuality. At that moment, we analyzed the repercussions of the representations of these characters on stage, with the support of the Brazilian digital newspaper library as the primary source of the research.

6
  • SAULO GOMES ROCHA
  • Babado on stage: sexuality issues in Brazilian theater

  • Líder : ALBERTO FERREIRA DA ROCHA JUNIOR
  • MIEMBROS DE LA BANCA :
  • ALBERTO FERREIRA DA ROCHA JUNIOR
  • FERDINANDO CREPALDI MARTINS
  • MARIA CLARA GUIMARAES FERRER CARRILHO
  • Data: 20-dic-2023


  • Resumen Espectáculo
  • The main objective of this work is to analyze the works O Beijo no Asfalto (1961), by Nelson Rodrigues; Razor in the Flesh (1967), by Plínio Marcos; BR-TRANS (2013), by Silvero Pereira; Tybyra (2020), by Juão Nyn and Manifesto Transpofágico (2021), by Renata Carvalho in their first productions, considering the aspects that bring them closer to current discussions about gender and sexualities. To this end, the path of reflection involves the contextualization of the works investigated, the forms of censorship that affected the performances and the specific language marks in the designation of non-cisgender and/or non-heteronormative characters. Reflections are made in relation to queer studies. In particular, the feminist thought of Judith Butler, in interactions with aspects of the Brazilian theater scene. This is because the research considers the importance of theater as a language capable of creating and disseminating ways of representing subjectivities that are capable of bringing to the stage the latent social issues of each era.

2022
Disertaciones
1
  • NATALIA VARGAS
  • Yo Cantante: una búsqueda por la libertad expresiva
  • Líder : JULIANA ALVES MOTA DRUMMOND
  • MIEMBROS DE LA BANCA :
  • JULIANA ALVES MOTA DRUMMOND
  • JULIANA REIS MONTEIRO DOS SANTOS
  • MARCOS EDSON CARDOSO FILHO
  • MARCELO EDUARDO ROCCO DE GASPERI
  • Data: 28-ene-2022


  • Resumen Espectáculo
  • Esta investigación comprende estudios sobre el potencial dramatúrgico y performativo de la
    voz en el acto de cantar, considerando la relación entre los cantantes y sus modos
    expresivos. A partir de estudios teórico-prácticos sobre los conceptos de Acción Vocal y
    Contacto, investigamos los dispositivos que pueden permitir a estos artistas lograr, por sí
    mismos, una calidad expresiva orgánica, singular y relacional. Debido al contexto de
    aislamiento sanitario, establecido por la pandemia del Covid-19, la autoetnografía demostró
    ser un camino posible - un plan B - para la continuación de este trabajo. Algo como un
    “cuaderno de bitácora” con episodios de la trayectoria profesional y estudiantil de la autora y
    el análisis de un debate online con profesores de voz / canto de la Universidad Federal de São
    João del Rei, son parte de la metodología de esta investigación. Ella investiga cómo - y si - la
    Acción Vocal y el Contacto amplían la percepción del cantante, transmutan la materia prima
    personal en creación artística y mejoran la relación con el otro para compartir la experiencia
    del canto. Esta investigación propone pensar en una forma interdisciplinaria de trabajo para
    los cantantes en formación que, se espera, contribuirá a la reflexión sobre la sistematización
    de la enseñanza del canto popular en Brasil.
2
  • TAIS CAROLINE DE SOUSA
  • SENSITIVE CARTOGRAPHY OF AFFECTS:  SELF-CARE THROUGH THE RESEARCH OF THE BODY POWER

     
  • Líder : ADILSON ROBERTO SIQUEIRA
  • MIEMBROS DE LA BANCA :
  • EDUARDO TESSARI COUTINHO
  • ADILSON ROBERTO SIQUEIRA
  • JULIANA REIS MONTEIRO DOS SANTOS
  • Data: 31-ene-2022


  • Resumen Espectáculo
  • This theoretical-practical research aims to investigate the association between the concept of docile body and illness even as how the theatrical experience enables a sensitive education through a performative-perceptive work in which it is intended to point and strengthen new possibilities of subjectivation. Considering the care of the self as a rescue of the subject’s potencial in the face of the perspective of illness so that, in this way, the importance of artistic work in institutions for health care can be investigated.


3
  • PRISCILA DE SOUZA CHAGAS DO NASCIMENTO
  • Scenotechnics, the creation of the workers of the scene: a study on the functions of scenotechnical workers in the city of São Paulo

  • Líder : BERILO LUIGI DEIRO NOSELLA
  • MIEMBROS DE LA BANCA :
  • JORGE FERREIRA SILVA
  • BERILO LUIGI DEIRO NOSELLA
  • FABIANA SIQUEIRA FONTANA
  • JOSE DA SILVA DIAS
  • Data: 21-feb-2022


  • Resumen Espectáculo
  • The present dissertation is a study about the understanding of the function and the craft of the cenotechnician worker in the city of São Paulo. The investigation and analysis of the cenotechnician craft takes place parting from a historical understanding based, initially, on legal regulations at the federal, state and municipal levels. The first document to be considered, Decree No. 5,942 of 1928, is the result of a bill presented by federal deputy Nicanor Nascimento in 1925. The text in question imposes on companies the obligation to follow the commercial labor code when hiring artists and theater assistants. The analysis of this and other pertinent laws is necessary, because it is through the nomenclatures used to define the technical offices that the career is established in the legal scope and, in a broad way, in the historical-social. The category of cenotechnician was regulated and is understood today through Law No. 6,533 of 1978, being described in the attached table of Decree No. 82,835 of the same year. In addition to the legal bases, the research analyzes bibliographic materials that present definitions of the role or the occupation of the cenotechnician and that follows the period of implementation of the laws. The work also presents as a document, interviews carried out with cenotechnicians, in search of a current understanding of their craft, enabling a dialectical reflection between the practice witnessed by the worker and the theoretical definitions analyzed. To achieve this objective, we invited professionals that work in the area to participate in this research, whose careers began in the 1970s - a moment marked by the regulation of the category with the advent of Law nº 6.533 of 1978. Considering the importance of the self-definition of these professionals about the work performed, for the understanding of what is the function and the craft of the cenotechnics, the accomplishment of these interviews, given the clipping, establishes a dialogue through the sharing of the individual experience of each interviewed professional and the memory of the cenotechnics craft

4
  • ALEXSANDRA LARA REIS GUIMARÃES
  • The actress-dancer's work on herself: Shivam-yoga as a training proposal.

     
  • Líder : ADILSON ROBERTO SIQUEIRA
  • MIEMBROS DE LA BANCA :
  • ADILSON ROBERTO SIQUEIRA
  • JULIANA REIS MONTEIRO DOS SANTOS
  • ALBA PEDREIRA VIEIRA
  • Data: 14-mar-2022


  • Resumen Espectáculo
  • This research aims to study the daily training and body preparation of actress/dancer Alexsandra Lara, based on ShivamYoga techniques, which is of tantric origin, applied to theater, based on the actor's preparation. We seek here a close relationship between yoga and theatrical work, understanding that between the two practices there is a crossing, a transdisciplinarity and, in this way, we approach how the possible transdisciplinary crossings between these two disciplines and others can erect/articulate practices, procedures, methodologies of the creative process of the actor-dancer/performer, whose transdisciplinary results are present in the ways of his artistic making and performance of actions, spectacles and bodily practices

5
  • Olívia Mara Rodrigues de Melo
  • Palhaça Birota: Debates between memory and power relations in clowns and in the female body

  • Líder : ALBERTO FERREIRA DA ROCHA JUNIOR
  • MIEMBROS DE LA BANCA :
  • CARINA MARIA GUIMARAES MOREIRA
  • CLAUDIO ALBERTO DOS SANTOS
  • DANIELE PIMENTA
  • Data: 12-may-2022


  • Resumen Espectáculo
  • This dissertation seeks to analyze the work of Mariana Gabriel, as Palhaça Birota. She works as a film producer and clown, and performs during the screenings of the documentary: My grandmother was a clown. The documentary tells the story of his grandmother Maria Eliza Alves, who acted as clown Xamego at Circo-teatro Guarany, in the early 1920s. Brazilian. I seek to draw analyzes and connections between her work and the field of clown and clown historiography. Considering the paradoxical thought of the impossibility of a reliable description of Mariana's work, of her performances, but being possible to think about them from the recognition of the inaccessibility of this totality, observing them as something not static and fixed in history. Deploying in the empirical sense, therefore, the archive is not being considered here as a set of gathered documents, not as mere coincidence, in its materiality. The researches are crossed by philosophical questions, between biopower and biopolitics, passing through the notions of power, of hegemonic systems, which affect the fields of women's history writing, feminist struggles and the debate of clown women.

6
  • Flora Cunha Lucena
  • "THE CROSSROAD: THE THEATER AND THE CITY IN THE 'Encomendação das Almas' IN SÃO JOÃO DEL-REI"


  • Líder : CLAUDIO JOSE GUILARDUCI
  • MIEMBROS DE LA BANCA :
  • CLAUDIO JOSE GUILARDUCI
  • ALBERTO FERREIRA DA ROCHA JUNIOR
  • LILIANE FERREIRA MUNDIM
  • Data: 07-jun-2022


  • Resumen Espectáculo
  • With this research, it is proposed to observe, through the study of the Catholic ritual "Encomendação das Almas" and its records in the 19th, 20th and 21st centuries, aspects related to the intertwining of the city, ritual and culture of São João. The "Ordering of Souls" ritual is not exclusive to the city of São João del-Rei. However, in the municipality in question, this occurs in a different way in relation to other Brazilian states that have documented and studied this ritual. In this way, the "Order of Souls" becomes an important object of study for two points: first, because it is poorly documented; and, secondly, by demonstrating how the same ritual of common origin can change and have different approaches depending on the way it is performed. Here, in the present research, the interest falls on the spectacular relations between ritual and the city. To enable the research of the chosen object, the methodology was developed based on the observations and monitoring of the Ritual of "Ordering the Soulscarried out in 2020, in the analysis of documents (scores, brotherhood books, wills, etc.) and a bibliographic survey. The research method used will be qualitative, as it allows exploring and understanding the ritual through memories and document analysis, in addition to the observation of the research object, enabling a greater understanding of the existing relationships between the processes involved in such devotion.

7
  • Vinicius Cristovão Ribeiro de Carvalho
  • x

  • Líder : MARIA CLARA GUIMARAES FERRER CARRILHO
  • MIEMBROS DE LA BANCA :
  • MARIA CLARA GUIMARAES FERRER CARRILHO
  • CLEBER RODRIGO BRAGA DE OLIVEIRA
  • Veronica Fabrini Machado de Almeida
  • Data: 15-jun-2022


  • Resumen Espectáculo
  • x

8
  • Plínio Pereira Rezende
  • Experience and knowledge in Minas Gerais: The Artist/Teacher and the practice of Theater in the face of laws and norms in public schools.

  • Líder : CLAUDIO JOSE GUILARDUCI
  • MIEMBROS DE LA BANCA :
  • BERILO LUIGI DEIRO NOSELLA
  • CLAUDIO JOSE GUILARDUCI
  • ELISABETH GONCALVES DE SOUZA
  • MARIA CLARA GUIMARAES FERRER CARRILHO
  • Data: 30-jul-2022


  • Resumen Espectáculo
  • The present work aims to analy2e the work of the Art teacher and his daily dealing with Art in public schools and its relations with the laws and rules from the BNCC (Base Nacional Comum Curricula). For that, we used the sDeeches and interviews of some teachers who participated in the online event “Conversations with teachers from the Public Network (Municipal and State)” The study will have a look at the concept of “experience” in the process of artistic teaching and learning, through the thinking of researchers and scholars such as Valéria Gianechini de Araûjo (2016), Jorge Larrosa Bondia (2002), Paulo Freire (1978), among others. With that, we observe the existing disparities between the laws and norms in the public school.

9
  • LAURA DE PAULA RESENDE
  • scenic lighting; Color theory; Sensoriality; Visuality; Brazilian illuminators.

  • Líder : BERILO LUIGI DEIRO NOSELLA
  • MIEMBROS DE LA BANCA :
  • BERILO LUIGI DEIRO NOSELLA
  • CIBELE FORJAZ SIMOES
  • NADIA MOROZ LUCIANI
  • Data: 23-nov-2022


  • Resumen Espectáculo
  • *

10
  • Vanessa Aparecida de Resende Gomes
  • THE "ROLE BECOMING" OF THE FIGURE OF THE TEACHER IN THE CLASSROOM: A PROPOSAL FOR THEATER EDUCATION IN HIGH SCHOOL

  • Líder : ANDRE LUIZ LOPES MAGELA
  • MIEMBROS DE LA BANCA :
  • ANDRE LUIZ LOPES MAGELA
  • HÉCTOR BRIONES VÁSQUEZ
  • MARCELO EDUARDO ROCCO DE GASPERI
  • Data: 16-dic-2022


  • Resumen Espectáculo
  • This research aims to reflect on how performing activities and the "personalization" of the teacher in classroom can help in proposals that are effective in High School, given the lack of interest of students in classes held with archaic methods of teaching. Such reflections were made on the basis of the path taken through the emergence, development and consolidation of the character entitled "Vanessão", which initially appeared just to draw the students attention and make them to be attentive to the Art classes, and, later, became an important figure, making its contribution through contents of the subject that were passed on to the students by the character and not only by the teacher. For this purpose, classes were analyzed in which students experienced the use of characters, associating the subject in the textbook with the experiences of each one. After analysis of the obtained results, the research proposes the sharing of lived experiences in classroom for future lesson planning, not only of Art, but also of other contents, with the intention that teachers can create more organic, dialogical and integrative classes within the teaching-learning process. Among the authors cited in this research, some names and ideas are fundamental when discussing the issue of education, theatrical language and performance in school, such as Paulo Freire, Ingrid Dormien Koudela, Schechner.

11
  • Eder Nunes Saldanha
  • THEATRICAL GAMES AS A DEVELOPMENT FACTOR WITH PEOPLE WITH DOWN SYNDROME - A BIBLIOGRAPHIC ANALYSIS

     
     
  • Líder : ANDRE LUIZ LOPES MAGELA
  • MIEMBROS DE LA BANCA :
  • AMANDA VALIENGO
  • ANDRE LUIZ LOPES MAGELA
  • MARCELO EDUARDO ROCCO DE GASPERI
  • Data: 21-dic-2022


  • Resumen Espectáculo
  • This research develops a bibliographical analysis of previous research considered relevant, which used or used improvisational theatrical games aimed at people with Down Syndrome. To this end, the references were more delimited to those that are based on principles that prioritize the works of Viola Spolin (2010) and Augusto Boal (1977), primary sources of the concepts and perspectives used. These authors will assist in the delimitation of the object investigated, as well as in understanding the historical, social, cultural and political context of theatrical pedagogy, a universe in which people with disabilities will be considered here. In this direction, I seek with this analysis to effectively and focus on pedagogical theatrical workshops aimed at people with Down Syndrome, not only in the inclusive therapeutic context in a more bodily or individual sense, but also in the social sphere, in its socialization components. There is also a juxtaposition, in the analyses, of proposals of theatrical situations that provide participants with contact with the theatrical scene, through play, poetic and aesthetic, as well as the opening to a repertoire of work that can be carried out in a simple and brief way, both for those who study and conduct these classes and for those who participate in them,  without the obligation to delve into theatrical techniques that have no relevance and/or feasibility in such situations. Another aspect of the present study are considerations about capacitive and its conceptualization, which still begins its presence in debates, discursive wheels and social media.  It is in this record of theater as a social, perceptive and conscious act, that I investigate in previous research already existing the possibilities of contact of theatrical language as an attractive experiment for the person with Down Syndrome, explaining what would be the "limitations", where and in which they are, and also clarifying how they do not placeimpediments to these theatrical actions.  Through the most different principles of the theatrical proposals defended, I try here to opportunistize and achieve the enjoyment and artistic creations established and analyzed. 

     
     
12
  • André Luiz Moura Siqueira
  • FOR A PERFORMATIVE INSTALLATION - Trails, Traces  and Vestiges of a Creation Process

  • Líder : CLAUDIO ALBERTO DOS SANTOS
  • MIEMBROS DE LA BANCA :
  • CLAUDIO ALBERTO DOS SANTOS
  • MARCELO EDUARDO ROCCO DE GASPERI
  • MARIA CLARA GUIMARAES FERRER CARRILHO
  • Data: 22-dic-2022


  • Resumen Espectáculo
  • For a Performative Installation: Trails, Traces and Vestiges of a Process of
    Creation, is a theoretical-practical research proposal generated from the course of
    master's degree. It is a set of actions that transit between experiments from
    borderline language of the expanded field of performing arts. We sought to apprehend
    the concept of installation in view of the approach to creation devices here
    worked. For this, an attempt was made to understand the characteristics of the aspects
    conceptual and artistic, thus proposing a reflection from the installation and the
    possible approximations with the scenic language. Establishing gaze and having
    as main artistic and theoretical references, Jorge Glusberg (2013); gilbert
    Icle (2019); Jussara Janning Xavier (2019), Cecília Almeida Salles (2011), because
    in these researches, the creation processes highlight the unfinished gesture. Starting from
    intercessory artists other lines were stretched from the great ball, Antonin
    Artaud (1896-1948), Chiharu Shiota (1972), Hélio Oiticica (1937-1980), Sonia Gomes
    (1948) and Edith Derdyk (1955), artists who were/are intercessors, inspirers and
    with which they are/are, as a foundation with the constitution of this dissertation.
    weave a wide panorama, similar to a large patchwork quilt,
    scrutinizing and pointing out possible inventive directions for sewing from the
    materiality of the cardboard and the unfolding of its wefts. Through two moments,
    the assembly and realization of the Performative Installation, one in the city of São João del-
    Rei-MG and Gurupi-TO. With these displacements it was possible to approach,
    interaction and involvement with the participating public. I present and analyze through
    several images: the trails, traces and vestiges of these paths and processes of the
    work as a whole.

2021
Disertaciones
1
  • OSMAR VANIO FERNANDES
  • Reports, moments and history: the scenic construction of Ione de Medeiros and Grace Passô.

  • Líder : ALBERTO FERREIRA DA ROCHA JUNIOR
  • MIEMBROS DE LA BANCA :
  • ALBERTO FERREIRA DA ROCHA JUNIOR
  • CARINA MARIA GUIMARAES MOREIRA
  • MARCOS ANTONIO ALEXANDRE
  • Data: 13-may-2021


  • Resumen Espectáculo
  • Starting from the book Problems of gender, we started to think about the gender issue, how it interferes in the

    scenic construction of Ione de Medeiros and Grupo Oficcina Multimédia, as well as it interferes in the

    Grace Passô's work. In this regard, this research aims to make this reflection from two shows:

    Bom Dia Missislifi (1993), directed by Ione de Medeiros and Por Elise (2005), directed by

    Grace Passô, seeking to relate them to thoughts by Judith Butler on the gender issue.

    Judith Butler is a post-structuralist philosopher and one of the main theorists of the contemporary issue of

    feminism, queer studies, philosophy, politics and ethics. We seek to relate these two shows to the question

    of gender, which Butler proposes to us, as we understand that there is in the scenic conceptions of both

    directors and in the aforementioned shows a crossing, with regard to gender. To do so, it is enough to know

    that from the 1980s to the end of the 1990s, the number of women acting as theater directors in

    Minas Gerais was very small compared to the number of men in the same role.

2
  • CAIO CÉSAR SILVA ROCHA
  • “THESE DAMNED LOVE STORIES”: MALE HOMOSEXUALITY IN GRETA GARBO, QUEM DIRIA, ACABOU NO IRAJÁ

  • Líder : ALBERTO FERREIRA DA ROCHA JUNIOR
  • MIEMBROS DE LA BANCA :
  • ALBERTO FERREIRA DA ROCHA JUNIOR
  • ANTONIA PEREIRA BEZERRA
  • CARINA MARIA GUIMARAES MOREIRA
  • Data: 18-may-2021


  • Resumen Espectáculo
  • Greta Garbo, who would have thought, ended up in Irajá (1974), a comic text by Fernando Mello, is part of a series of theater texts, with a strong political content, that were written in Brazil during the period of the civil-military dictatorship (1964-1985). Since the beginning of the coup, theatrical authors, imbued with the struggle against the nefarious militaristic and authoritarian cycle that was outlined, began to show in their dramaturgies the ills and social prejudices of the bourgeoisie and illegitimate governments, with the main objective of blurring the socially imposed status quo. In the theatrical text in question, we follow the adventures and misadventures of Pedro (or Greta Garbo), a lonely middle-aged homosexual, effeminate, nurse and resident of the Rio de Janeiro suburb, who falls deeply in love with the young Renato, a country boy, who arrives in the capital state in order to study medicine. They live a relationship that is sustained, at least initially, by the fact that the nurse financially supplies the young boy. Given the perspectives pointed out, this communication aims to debate, based on the dramaturgical text Greta Garbo, who would say, ended up in Irajá, as the character Pedro is constructed and evidenced, considering comicality as a political device for the visibility and consequent protagonism of the male homosexual in the theatrical text, in the period of the state of exception in Brazil.

3
  • RAYLA DIAS
  • THE MOTHER: THE CHANGE OF FUNCTION AT BRECHT THEATER

  • Líder : CARINA MARIA GUIMARAES MOREIRA
  • MIEMBROS DE LA BANCA :
  • ALBERTO FERREIRA DA ROCHA JUNIOR
  • CARINA MARIA GUIMARAES MOREIRA
  • ERNESTO GOMES VALENCA
  • Data: 16-jul-2021


  • Resumen Espectáculo
  • The purpose of this dissertation work is to analyze the dramaturgical text “A mãe” by Bertolt Brecht, having as reference the conception of role change developed by the author himself. In this sense, the research is developed around the theoretical texts of Brecht, and intellectuals committed to the analysis and interpretation of the Brechtian work in order to understand not only the concept of change of function and its relationship with the work, but also to understand the influences and assumptions that allowed the construction and development of the play in question and of the Brechtian theater as a whole. In this way, we intend to understand the investigation of the category change of function, taking into account the historical aspects that allowed the emergence and development of such an idea, so that from this understanding we can construct an analysis of the work “The mother” that is willing to understand the its location in Brecht's artistic trajectory and its potential for the revolutionary struggle in the field of culture even today.

4
  • ANA CAROLINA REZENDE
  • OCCUPY AND RESIST: A LOOK AT THE SHOW "UNCOMFORTABLE: THEATER AT HOME"
  • Líder : ANDRE LUIZ LOPES MAGELA
  • MIEMBROS DE LA BANCA :
  • ANDRE LUIZ LOPES MAGELA
  • LEONARDO RAMOS MUNK MACHADO
  • MARIA CLARA GUIMARAES FERRER CARRILHO
  • Data: 20-ago-2021


  • Resumen Espectáculo
  • This proposal of dissertation, at this moment in the process of qualification, examines the work of the group Incômodos, based in Juiz de Fora, with regard to its theatrical works performed in the homes of people in the cities in which it performed shows (called "Teatro em casa").

    Thus were elaborated the questions that motivate and give north to this work: what is the sense of inhabiting an intimate and routine physical space presenting it with other uses? What does the theatrical language have to gain from this occupation? And, on the other hand, how is the domestic space transformed by theatricality? Putting these questions on the agenda, we can problematize the theatrical practice that occupies apartments, houses, residences, homes scattered throughout the cities.

5
  • THAMIRIS CALEGARI RODRIGUES
  • A STUDY OF THE PEDAGOGICAL PROPOSALS IN PERFORMING ARTS BY INGRID KOUDELA AND FLÁVIO DESGRANGES

  • Líder : CARINA MARIA GUIMARAES MOREIRA
  • MIEMBROS DE LA BANCA :
  • BERILO LUIGI DEIRO NOSELLA
  • CARINA MARIA GUIMARAES MOREIRA
  • MARIANA DE LIMA E MUNIZ
  • Data: 14-dic-2021


  • Resumen Espectáculo
  • ThisdissertationproposestheinvestigationofpedagogicalproposalsrelatedtothePerformingArts in Brazil, fromthebibliographicproductionsof Ingrid Koudelaand Flávio Desgranges, seekingtodemonstratetheirrelationswith a formation, whichaimsat social andcognitivedevelopment. For this, a bibliographic review oftheproposalsoftheaforementionedauthorswascarried out,seekingtoidentifytheserelationshipsthroughcontentanalysisbycategorization. Basedmainlyon Bertolt Brecht'stheatrical performance, we point out ourassumptionsrelatedtotheeducationalpotentialofthe German playwrightmentioned, as well as hisinfluencesonthepedagogicalproposalsof Ingrid Koudelaand Flávio Desgranges. 

6
  • DIEGO RODRIGO JACINTO
  • THE SINGULAR VOICE

  • Líder : JULIANA ALVES MOTA DRUMMOND
  • MIEMBROS DE LA BANCA :
  • ADILSON ROBERTO SIQUEIRA
  • ERNANI DE CASTRO MALETTA
  • FRANCESCA DELLA MONICA
  • JULIANA ALVES MOTA DRUMMOND
  • Data: 14-dic-2021


  • Resumen Espectáculo
  • This research has as its object of study the voice and vocal perception of the actor, especially in the conception of his uniqueness and importance of his personal trajectory. It also aims to put into dialogue some perspectives related to vocal paths for the scene, presenting, among the different existing strands, some lines of work by artists and researchers with a solid trajectory of vocal investigation in national and international scope. Some principles and concepts proposed by Ernani de Castro Maletta with Polyphonic Performance, Juliana Alves Mota Drummond with Musical Affections and Francesca Della Monica with Vocal Archeology will be explained throughout the dissertation, pointing their gaze to the conception of vocal creation, thus realizing how each researcher chosen as the object of study in this work identifies and understands the use of voice for theater. In this way, we can analyze some possibilities of work on voice, bringing to light that this field of investigation presents a plurality of connections in positions and trajectories, which reveals that there is no need for a theatrically dominant and/or unique voice pattern.

    The construction of this dissertation also presents this study through a digital material (Live and Podcast), with a more accessible language, to collaborate with the popularization of a type of knowledge that is generally restricted to the academic environment, mainly aimed at sharing information with beginning actors and semi-professional companies in the theatrical area on the perception and vocal relationship in scenic creation.

7
  • CARLOS HENRIQUE AURÉLIO DOS SANTOS

  • POETICS OF THE ENCRUZILHADA: an analysis of two academic experiments in the light of the worldview of religions of Central African origin in Brazil

  • Líder : CARINA MARIA GUIMARAES MOREIRA
  • MIEMBROS DE LA BANCA :
  • CARINA MARIA GUIMARAES MOREIRA
  • MARCOS ANTONIO ALEXANDRE
  • SILVIA MARIA JARDIM BRUGGER
  • Data: 16-dic-2021


  • Resumen Espectáculo
  • The present work aims to analyze the possibilities of creating narratives from the elements that form the cosmovision of religiosities of Central African origin in Brazil in two scenic experiments developed in the academic research space. The work starts from the analysis and investigation about the elements that form the cosmovision of these religiosities, establishing a dialogue between my experiences in the spaces of the terreiros and the construction of the scene in the Theater. In this path, the work permeates the historical aspects of the formation of these religiosities in Brazil, creating a comparative framework between the perspectives that formed the cosmovision of the Central African peoples on the other side of the Atlantic and the religious practices in Brazilian territory, seeking to understand how they were articulated the resignifications and the ways of creating narratives present in the songs, in the ritual, performative and aesthetic processes of these religiosities. From the result of this first investigation, the perspectives of the crossroads, encompassing the concepts of ancestry and enchantment, emerge as a fundamental element in the construction of these cosmovisions. It is from the understanding of the ways in which these conceptions are articulated in the construction of narratives in the spaces of the terreiro, that the proposal of potentialization of narratives in the construction of scenic experiments is established Kandenge – O cantador de uma história brasileira and Confere, both carried out in the scope of academic research and laboratory experimentation.

8
  • DIOGO BRITO REZENDE
  •  THE APPROACH PROPOSED BY NIKOLAI DEMIDOV FOR THE ACTOR'S WORK: “PASSIVITY” AS A WAY TO EXPERIENCING

  • Líder : MARIA CLARA GUIMARAES FERRER CARRILHO
  • MIEMBROS DE LA BANCA :
  • ALICE KIYOMI YAGYU
  • JULIANA REIS MONTEIRO DOS SANTOS
  • MARIA CLARA GUIMARAES FERRER CARRILHO
  • Data: 17-dic-2021


  • Resumen Espectáculo
  • This text intends to focus on the approach that the Russian professor and director Nikolai Demidov (1884-1953) has developed for the actor's work for three decades. For that, we will have as a focal point of analysis the principle of “passivity” suggested by Demidov, a principle that, according to the theatrologist, would be the basis for a live and genuine performance by the interpreter on the stage. We will also discuss the connections between the work of Nikolai Demidov and that of Konstantin Stanislavsky (1863-1938), the latter being responsible for introducing Demidov to the notion of "experience" in the actor's work. Thus, we will analyze the convergences and divergences between the approaches developed by both, and also on how Demidov's technique had its origin in the nucleus of Stanislavski's “system”. In addition, the component principles of the approach that Demidov presents to us in his books will be detailed and examined, and a brief analysis of practical experiments performed by the author of this text with what is proposed by the Russian theatrologist will also be carried out.

9
  • BRUNO MACIEL SOUZA
  • WEDDING DRESS AT THE MODERN BRAZILIAN THEATER:
    The progress of light through thought and praxis.

  • Líder : BERILO LUIGI DEIRO NOSELLA
  • MIEMBROS DE LA BANCA :
  • BERILO LUIGI DEIRO NOSELLA
  • CARINA MARIA GUIMARAES MOREIRA
  • CAROLINA BASSI DE MOURA
  • Data: 17-dic-2021


  • Resumen Espectáculo
  • Nelson Rodrigues' Wedding Dress was presented for the first time by the amateur theater group Os Comediantes in the city of Rio de Janeiro at the Municipal Theater, with direction and lighting by Zbigniew Ziembinski in 1943. After the success by specialized critics and the public, the show it became an object of ordinary studies within the academic field.
    The objective of this research is to analyze what was presented as lighting for the assembly of Vestido de Noiva in 1944 in São Paulo, to understand what was the light of the show, from the criticisms, testimonies and thinking about the scene and light of Ziembinski .

10
  • ANA PAULA ALAB DE OLIVEIRA
  • "The divine magic of the soul opens paths". Other steps, other spaces - Cidade Velha streets as a stage

  • Líder : CLAUDIO JOSE GUILARDUCI
  • MIEMBROS DE LA BANCA :
  • BERILO LUIGI DEIRO NOSELLA
  • CLAUDIO JOSE GUILARDUCI
  • Gisela de Andrade Brugnara
  • Data: 20-dic-2021


  • Resumen Espectáculo
  • In Belém – PA was occupied in 1616, the region was inhabited by numerous indigenous ethnic groups, such as the Tupinambás, who were on the riverbank when the Portuguese landed. The place where Castelo Branco landed is now known as the Cidade Velha district, the place where the main monuments and history of the city live. On the other hand, there are no large-scale references to the existence of the indigenous and cabocla who lived and fought for that space. However, if we do an investigative work, we will find the other stories, through the traces left in each monument erected in the name of colonization or if we do the exercise of opening our eyes and seeing passersby, informal workers, boatmen, marketers , who travel as “invisibles” through the region and, with their bodies and stories, tell us a lot about the city. This research aimed to discuss through a written narrative and imagery the ephemeral reconfiguration of urban space into theatrical space, from the occupation of the scenic procession "O Auto do Círio", which takes place every year since 1993, what, in the eyes of the research, makes possible a rescue or the construction of other histories and memories of this place.

2020
Disertaciones
1
  • WEVERTON ANDRADE SILVA
  • QUEER DECONSTRUCTION IN CONTEMPORARY PERFORMANCES

  • Líder : ALBERTO FERREIRA DA ROCHA JUNIOR
  • MIEMBROS DE LA BANCA :
  • FERDINANDO CREPALDI MARTINS
  • ALBERTO FERREIRA DA ROCHA JUNIOR
  • CLAUDIO JOSE GUILARDUCI
  • Data: 24-ene-2020


  • Resumen Espectáculo
2
  • CARLOS HENRIQUE BARTO JÚNIOR
  • TERRITÓRIO INSEGURO: PRÁTICAS PARA UM CANTO RELACIONAL NA CENA TEATRAL

  • Líder : JULIANA ALVES MOTA DRUMMOND
  • MIEMBROS DE LA BANCA :
  • ALBERTO FERREIRA DA ROCHA JUNIOR
  • ANDRE LUIZ LOPES MAGELA
  • TATIANA MOTTA LIMA RAMOS
  • Data: 06-mar-2020


  • Resumen Espectáculo
  • TERRITÓRIO INSEGURO: PRÁTICAS PARA UM CANTO RELACIONAL NA CENA TEATRAL

3
  • JOSEMIR MEDEIROS DA SILVA
  • THEATER OF THE CARAVAN SIGA WELL: PROJECT WITH AND FOR TRUCKERS, IN THE LIGHT OF THE LEGACY OF PAULO FREIRE

  • Líder : CARINA MARIA GUIMARAES MOREIRA
  • MIEMBROS DE LA BANCA :
  • BERILO LUIGI DEIRO NOSELLA
  • CARINA MARIA GUIMARAES MOREIRA
  • ERNESTO GOMES VALENCA
  • MONICA DE AVILA TODARO
  • Data: 13-mar-2020


  • Resumen Espectáculo
  • Over ten year, from 2006 to 2016, the Caravana Siga Bem’s Theatre showed, in petrol  stations in Brazilian highways, to a crowd of truck drivers, their family and people living near  those places, spectacles with citizenship related themes, such as the rational use of water, the  coping with violence against women, the sexual exploitation of children and adolescent,  human rights, amongst other themes. The plays identified with the popular theatre aesthetics 

    had a cast of truck drivers, men and women, and also producers from the commercial event of  the Caravana Siga Bem, in which the theatre was inserted as a cultural attraction and leisure.  Considering the pedagogical character of these plays, that tried to debate citizenship´s issues,  this dissertation reached affinity between this project of popular theatre made to and with the  truck drivers and the ideas to a dialogical education, capable to develop the criticality of the  subject, supported by the educator Paulo Freire. In the reflections that moved the search of  this relationship with the pedagogy of the Brazilian´s education patron, this research found  also affinity with the Bertolt Brecht´s Epic Theatre, and in a certain way, with the experiment  of the German dramaturg´s didactic plays.

4
  • DIEGO JOSÉ DOMINGOS PEREIRA
  • “ARACI: WHEN A MOTHER'S HUG DOESN'T HEAL” TRAINING NARRATIVES ABOUT A CREATIVE PROCESS (AUTO) BIOGRAPHIC

  • Líder : CLAUDIO JOSE GUILARDUCI
  • MIEMBROS DE LA BANCA :
  • CARINA MARIA GUIMARAES MOREIRA
  • CLAUDIO JOSE GUILARDUCI
  • ELIZEU CLEMENTINO DE SOUZA
  • Data: 23-jul-2020


  • Resumen Espectáculo
  • This study deals with the reflection and investigation of the means and practices that
    permeated the actor's work in the creative process of the show Araci: quando abraço
    de mãe não cura, carried out through the Araci: theater, contemporary and university
    extension. The research aimed to unfold, from an autobiographical perspective, the
    aforementioned theatrical creative process into a kind of criticism of culture by
    choosing the “Benjamin experience” as the source of this investigation. The dialogue
    between Creative Process, Theater Scene and Society is fostered by the theoretical
    contributions of authors such as Terry Eagleton and Judith Butler, through a cultural
    approach. Regarding the autobiographical, the theoretical path is permeated by
    contributions from the Biographical Space, proposed by Leonor Arfuch (2010) and
    Philip Lejeune's Autobiographical Pact (2008). The methodological investigation was
    based on the reflection of the terms Voluntary Memory and Involuntary Memory under
    a Benjaminian meaning based on the essay A Imagem de Proust (1929). Regarding
    the creative process, we highlight the fact that Giorgio Agamben offers us a reflection
    on curious alliances between "friend", "childhood" and "language" as a means of
    materializing the use of these autobiographical narratives in the theatrical scene and,
    later, transforming them. in training narratives for teaching use in contemporary times.
5
  • ÉRIKA CAMILA PEREIRA DOS SANTOS
  • SINGLE-HAND STREET AND (M) SCENE: WALTER'S CHILDHOOD MEMORIES BENJAMIN FOR THE THEATER

  • Líder : CLAUDIO JOSE GUILARDUCI
  • MIEMBROS DE LA BANCA :
  • CLAUDIO JOSE GUILARDUCI
  • BERILO LUIGI DEIRO NOSELLA
  • VANESSA TEIXEIRA DE OLIVEIRA
  • Data: 27-jul-2020


  • Resumen Espectáculo
  • Based on the analysis of the book “Rua de Mão Única” (1995) and its influence on the process of transposing Benjaminian literature to the theatrical experimentation on memories, it is possible to indicate ways in which the reminiscences stand out during this journey. In this way, we highlight the poetics of the book “Rua de Mão Única” (1995), by the Berlin author Walter Benjamin, and its influences for making theatre, which in this specific case, culminated in Haveres of childhood; A collector poet. After the performance of theatrical practices for the construction of the scenic process, the pertinent paths to the transposition of Benjaminian literature to the stage revealed the figure of the Poet, a figure that holds in itself, reflections about the dramaturgy that starts from autobiographical narratives. There is an essential discussion of the figure of the Poet between elements of storytelling that refer us to the figure of the Narrator (1994, p. 197-221), beautifully described by the philosopher Walter Benjamin and, therefore, to the figure of the historian and History, as Paul Ricouer puts us in The memory, the history, the forgetfulness (2007). There is also the stripping of Asja Lacis' influence on Walter Benjamin's writing and thinking on children's theatre. The interfaces that move / or moved the Poet in dramaturgical seams that interpenetrate in the elements of narrativity and mainly in the transposition of Benjamin's literature to the theatre were configured in the hermeneutics of the historical condition. It is at this point that the present work seeks in the representation of the past to carry out a constant dialogue with the imposition that forgetting provides us. It is noteworthy that he, forgetfulness himself, places himself as a faithful guardian of memory. In this way, the relationship between the surprises that the reminiscences reveal through the images indicate the aesthetic-philosophical characteristics in which the figure of the Poet is willing to lean, when on the scene, plays with Walter Benjamin's memories and collects the extension the field of memories that make up the body of the actress when she is faced with her own children's universe.

6
  • REGINALDO BASTOS DOS SANTOS

  • The city as a field for writing

  • Líder : MARIA CLARA GUIMARAES FERRER CARRILHO
  • MIEMBROS DE LA BANCA :
  • ANDRE LUIZ LOPES MAGELA
  • MARCELO EDUARDO ROCCO DE GASPERI
  • MARIA CLARA GUIMARAES FERRER CARRILHO
  • Data: 10-nov-2020


  • Resumen Espectáculo
  • The present study is a reflection on the act of walking around the city as a trigger for writing.
    First, it seeks to develop a synthetic historical perspective of the figure of the walker, very
    marked by the flâneur, and its relations with philosophy, literature and the visual and
    performing arts. At the end of this first phase of the study, the show Frequency absent 19Hz
    from Excompania de Teatro comes into focus, a theatrical experience without the presence of
    actors, in which the spectator becomes active when walking through the city. From this
    theoretical study, the work unfolds in a practical and pedagogical perspective, in which a
    sequence of actions developed in the context of the discipline Presence and Space is presented,
    taught by Professor Maria Clara Ferrer of the Theater course at the Federal University of São
    João del-Rei. Seeking to sharpen and / or displace the perception of the urban fabric, the
    practices, described and analyzed in the second part of the dissertation, show the connection
    between the movement of bodies through the city and the flow of writing.
7
  • ADRIANA RIBEIRO DE ALMEIDA
  • A cenic body: strategies to buld a theatre scene

  • Líder : ANDRE LUIZ LOPES MAGELA
  • MIEMBROS DE LA BANCA :
  • ANDRE LUIZ LOPES MAGELA
  • JULIANA REIS MONTEIRO DOS SANTOS
  • MARCELO EDUARDO ROCCO DE GASPERI
  • Data: 14-dic-2020


  • Resumen Espectáculo
  • This dissertation discusses the body in several relationships existing in the performing arts, pointing out
    tools and possibilities to prepare for the scene, and indications of how to build a body
    based on Lenora Lobo's thinking, in order to deal with intermittent issues that
    occur during the scenic assembly and construction process, arising from the situation of the body
    active. Among some examples, the work of the actresses from Companhia Teatrando, in the
    show 'O Casulo das Memórias Resignadas', by Judge-Foran playwright Rafael Coutinho. The focus
    of the observations made are the strategies used by some interpreters / actors to be
    on the scene, creating ways to confront the already existing hegemonic criteria of evaluation
    artistic work, and performance performance. Highlighting, relevant processes in the lives of these
    interpreters / actors who, in a certain way, experienced blocks and limitations in their trajectories
    artistic.
    These processes allow the creation of certain agencies in relation to their purposes
    existential, and / or provoke singular training and self-training strategies to build the
    relevant and powerful ways of these actors. The research is related not only to
    issues that permeate personal, affective and professional experiences, but also resort to studies
    about the factors of what the body can be, how the scenic body can be, weaving reflections on
    pertinent ways today to think about the relationships between body, theater, body limitations,
    approaching the body as a subject, object and support of art, not only considering aesthetics
    body as a result, but the body as power. To this end, the relationships for this work have
    as a source the concept of power of the philosopher Gilles Deleuze, going through training of
    20th century theatrists.

8
  • GENILSON ANTONIO FERREIRA
  • BODY, CULTURE AND EDUCATION: AN ECOPOETIC APPROACH (METHODOLOGICAL) OF THE CONGADO DANCE IN DIONÍSIO - MG

  • Líder : ADILSON ROBERTO SIQUEIRA
  • MIEMBROS DE LA BANCA :
  • ADILSON ROBERTO SIQUEIRA
  • CLAUDIO JOSE GUILARDUCI
  • Hudson Lucas Marques Martins
  • Data: 17-dic-2020


  • Resumen Espectáculo
  • This research aims, at first, to carry out and present an analysis about the performance of the dance of Congado, present at the festivity of Nossa Senhora do Rosário, in Dionísio city, state of Minas Gerais. The analysis tries to bring out the performance elements that are part of this cultural tradition in our city. The second moment of this academic investigation is about the possibility of creating a pedagogical and ecopoetics approach basing on the Common National Curriculum Base, which may helps us in the teaching work. The practice of the exercise created
    is based on Brazilian Law nº 10.639/03, but which still seeks, to the same extent, to find effective perspectives of a practical teaching concerning the reminiscences of Afro-Brazilian culture. In this way, this research aims at the possibility of working with the diverse popular, regional and national cultures of our country.
2019
Disertaciones
1
  • KARINA PEREIRA DE FIGUEIREDO SOUZA

  • Gaston Bachelard's Elementary Imaginary in Pina Bausch's Dramatic Composition

  • Líder : MARIA CLARA GUIMARAES FERRER CARRILHO
  • MIEMBROS DE LA BANCA :
  • MARIA CLARA GUIMARAES FERRER CARRILHO
  • ALBERTO FERREIRA DA ROCHA JUNIOR
  • THEREZA CRISTINA ROCHA CARDOSO
  • Data: 01-jul-2019


  • Resumen Espectáculo
  •  This research intends to analyze poetically the dramaturgical work of the German director of dance-theater Pina Bausch delineated by the reflections of the philosopher Gaston Bachelard, using the concept of elementary imaginary earth and the elementary imaginary water as the guiding wire. In order to identify the characteristics of Bachelard's elementary imagery in Pina Bausch's works, the analysis was conducted through dramaturgical characteristics of the choreographic and scenic composition of his performances and made it possible to reflect both from the point of view of the dancer/actor and the spectator on the creation of immersive and sensorial scenes by means of the elementary earth and water inside some works of Bausch.

2
  • TALLES RAMON FERREIRA DE ALMEIDA
  • ----

  • Líder : MARCELO EDUARDO ROCCO DE GASPERI
  • MIEMBROS DE LA BANCA :
  • ADILSON ROBERTO SIQUEIRA
  • MARCELO EDUARDO ROCCO DE GASPERI
  • NAIRA NEIDE CIOTTI
  • Data: 19-sep-2019


  • Resumen Espectáculo
  • ----

3
  • ELLEN DA SILVA RODRIGUES ALVES
  • -

  • Líder : BERILO LUIGI DEIRO NOSELLA
  • MIEMBROS DE LA BANCA :
  • BERILO LUIGI DEIRO NOSELLA
  • CARINA MARIA GUIMARAES MOREIRA
  • MARIA DE LOURDES RABETTI
  • Data: 09-oct-2019


  • Resumen Espectáculo
  • -

4
  • ELLEN DA SILVA RODRIGUES ALVES
  • "UM DIA OUVI A LUA" DA COMPANHIA TEATRO DA CIDADE: UMA PROPOSTA DE ANÁLISE DO ESPETÁCULO A LUZ DA CULTURA POPULAR DO VALE DO PARAÍBA PAULISTA

  • Líder : BERILO LUIGI DEIRO NOSELLA
  • MIEMBROS DE LA BANCA :
  • BERILO LUIGI DEIRO NOSELLA
  • CARINA MARIA GUIMARAES MOREIRA
  • MARIA DE LOURDES RABETTI
  • Data: 09-oct-2019


  • Resumen Espectáculo
  • "UM DIA OUVI A LUA" DA COMPANHIA TEATRO DA CIDADE: UMA PROPOSTA DE ANÁLISE DO ESPETÁCULO A LUZ DA CULTURA POPULAR DO VALE DO PARAÍBA PAULISTA

5
  • JESSICA OLIVEIRA LEMOS
  • -

  • Líder : MARCELO EDUARDO ROCCO DE GASPERI
  • MIEMBROS DE LA BANCA :
  • ADILSON ROBERTO SIQUEIRA
  • INES KARIN LINKE FERREIRA
  • MARCELO EDUARDO ROCCO DE GASPERI
  • Data: 02-dic-2019


  • Resumen Espectáculo
  • This research investigates photoperformance as an language of autonomous expression. It is argued here that photoperformance happens when the performative act is performed solely for and through photography, that is, the action becomes a work of art through the photographic image. In this way, photography a priori disengages itself from its documentary character and is presented to the public as a singular work. To understand the aspects and main characteristics of photoperformance, we propose a reflection on photography and its various forms of expression, questioning some limits established for photographic genres. In addition, we draw a brief overview of the history of photoperformance, pointing out some striking references in the relationship between artistic performance and photographic record. Based on the concepts of artistic performance and performativity, we comparatively analyze a variety of works by photoperformance artists, addressing the ways in which each artist produces in parallel with the creative process of this researcher. This study is made from a bibliographical framework about the artistic performance, bringing mainly the ideas of Schechner (2006) and Cohen (2002) and about the performativity through the research of Féral (2012). To talk about the aesthetic and conceptual potentialities of the presented photographs, we use authors that discuss photographic making, such as Rouillé (2009) and Soulages (2010) and Cotton (2010) mainly. The analysis was based on the observation of the photographs and the possible approximations between specific aspects of photographic language, artistic performance and performative theater. Thus, this work develops some main characteristics of photoperformance, contributing to broaden the notions of artistic performance, also expanding the field of photography, as these languages intertwine

6
  • PROFESSORES VÂNIA HELENA NEPOMUCENO ÁVILA
  • Do aluno espectador a espect-ator: uma experiência de Teatro do Oprimido no Ensino Médio

  • Líder : CLAUDIO ALBERTO DOS SANTOS
  • MIEMBROS DE LA BANCA :
  • ANA CRISTINA MARTINS DIAS
  • CLAUDIO ALBERTO DOS SANTOS
  • MARCELO EDUARDO ROCCO DE GASPERI
  • RICARDO CARVALHO DE FIGUEIREDO
  • Data: 10-dic-2019


  • Resumen Espectáculo
  • Do aluno espectador a espect-ator: uma experiência de Teatro do Oprimido no Ensino Médio

7
  • LUIZ ANTONIO SOUZA CAMPOS
  • A GROUP CALLED DECISÃO: SURVEY OF HISTORICAL RECORDS AND CRITICAL NOTES ON THE PERFORMANCE OF THE DECISÃO GROUP, IN THE 1960S, WITH EMPHASIS ON THE “SOROCABA, SIR!

  • Líder : BERILO LUIGI DEIRO NOSELLA
  • MIEMBROS DE LA BANCA :
  • ALEXANDRE LUIZ MATE
  • BERILO LUIGI DEIRO NOSELLA
  • CLAUDIO JOSE GUILARDUCI
  • Data: 13-dic-2019


  • Resumen Espectáculo
  • The dissertation presented here corresponds to the collection of historical records  of the Decision Group with critical notes on its theatrical activities, emphasizing  the first performance of the Group: Sorocaba, sir !, in the 1960s. Therefore,  through this research, we developed survey of documentary data (interviews,  reviews, photos and show programs) on the entire artistic trajectory of Grupo  Decision. This is a historical documentary survey, complementing after 15 years  (2004-2019) the previously first dissertation of Paula Sandroni by UNIRIO on the  Group. 

    Founded by Antonio Abujamra, Antonio Ghigonetto, Berta Zemel, Emilio Di Biasi,  Lauro Cesar Muniz, Sergio Mamberti and Wolney de Assisi, the Decision Group  began in 1963 and ended its activities in 1966. In its first year the Group  developed its activities. works in the city of São Paulo and the following year, they  move to Rio de Janeiro, but alternating their performances in the city of São  Paulo. 

    They were numerous assemblies for the Group's short space of existence, and  with apparently expressive and bold aesthetics for the time, of an epic and  Brechtian theater. In addition to being numerous, its repertoire was somewhat  diverse and contained in its fact sheets expressive names of Brazilian theater.  Not only did the Group dedicate its actions to theaters frequented at that time,  but also to unconventional spaces and to an audience of students, unions and  peripheral regions, as well as theoretical studies, seminars and contests for the  population, facts that affirm an attempt to popularize them. and decentralization  of the theater at that time.


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