|
Disertaciones |
|
1
|
-
Romário Allef Ribeiro Silva
-
The sociodescursive imaginary of flute teachers in the Minas Gerais State Conservatories of Music.
-
Líder : ANTONIO CARLOS GUIMARAES
-
MIEMBROS DE LA BANCA :
-
ANTONIO CARLOS GUIMARAES
-
CARLA SILVA REIS
-
MARIA ODÍLIA DE QUADROS PIMENTEL
-
LEONARDO LOUREIRO WINTER
-
Data: 13-abr-2023
-
-
Resumen Espectáculo
-
The State of Minas Gerais, Brazil, counts with twelve Music Conservatories in its Educational system. They are maintained and funded by the Minas Gerais State Education Secretariat, and they stand out in the nation by integrating music teaching into the public education system. The conservatories attend to thirty thousand music students in the State of Minas Gerais, from which eleven thousand are attended directly by the conservatories and the other nineteen thousand are attended in cooperation with regular public schools. The conservatories in Minas Gerais State, since their creation during the 1950’s, play important roles such as training musicians and promotion of arts, especially the music. These institutions, located in almost every region of the state, offer professional training on various music instruments, including the flute. The main purpose of this study is to analyse the sociodescursive imaginary built by the conservatories flute teachers about their own flute teaching.Considering this purpose, this research was based on the semiolinguistics of Patrick Charaudeau (2016), in which the sociodescursive imaginary is understanded as an speech engendering of social groups. This sociodescursive imaginary is organized in coherent thinking systems, which generate values and develop the role of social justification and create collective memories in this group. Based on data analysis, we seek to identify the reconrecy of discursive patterns and the level of flute teachers adherence to specific discourse patterns. Therefore, we believe we can identify the teacher’s comprehension aspects of their own flute teaching, by the means of their speeches of description, discrimination, classification and values. The characterization of the teachers was done following the identity configurations of Vasconcelos (2001). The results shows that teachers identities with this profile, which helps us to understand their sociodescursive imaginary on their speeches. We hope this work can enrich the discussion about the flute teacher activities and their teaching on the Conservatoires of Minas Gerais, Brazil
|
|
2
|
-
Ana Carolina dos Santos Martins
-
REVISITING TEACHERS TRAINING IN MUSIC FOR ENGAGEMENT WITH DEAF STUDENTS IN FORMAL SCHOOL
-
Líder : ANA ROSELI PAES DOS SANTOS
-
MIEMBROS DE LA BANCA :
-
ANA ROSELI PAES DOS SANTOS
-
CARLA SILVA REIS
-
CLAUDIA RIBEIRO BELLOCHIO
-
VIVIANE DOS SANTOS LOURO
-
Data: 10-jul-2023
-
-
Resumen Espectáculo
-
In recent years, we have seen public policies, process legalization, and the promotion of inclusive education practices advancing in Brazil. Concomitantly, the inclusion of students with disabilities has become a very present reality in school life, requiring institutions to build architectural and pedagogical processes, expanded methodological adaptations, and specialized teachers to meet this demand. For this reason, we conducted a study to analyze if the formation of future teachers of the Music Licensure courses in Brazilian public institutions contemplates the attendance of this public and, in the specific case of this research, deaf students in the context of formal school. Thus, the study followed a qualitative approach, developing through documentary research, in the primary guiding documents of teacher formation - the Curricular Pedagogical Projects (PPCs); and also, in the dissertations and theses of the Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES), through keywords related to the teaching of music for deaf students, and in publications made by the Associação Brasileira de Educação Musical (ABEM), Associação Nacional de Pesquisa e Pós-Graduação em Música (ANPPOM) and Associação Brasileira de Cognição e Artes Musicais (ABCM), covering the years from 2019 to 2021 for, through the analyzed materials, we could demonstrate the need for special training to meet deaf students and evidence the urgency of developing studies in this area, thus accompanying the advance of inclusive education in Brazil. Based on a critical analysis of the documents, the research intended to prove the hypothesis that there is little being studied, reflected, and experienced in forming future teachers regarding the possible relationships of deaf students with music. For this reason, it was sought to demonstrate the relentless need for reformulations in the PPCs and in the formative processes of the Music Licensure of the Brazilian public institutions, from the inclusion of the Libras (Brazilian Sign Language) discipline in the curricula of the courses to the didactic-methodological guidance to the theoretical references guiding the processes and to the understanding of this subject as a student. Finally, this research was committed to the equality and equity of educational opportunities for all students, mainly the deaf student in the context of formal school, and with the offering of Music classes with quality, taught by methodologically prepared teachers so that these students can experience the various gains that the learning of music offers.
|
|
3
|
-
ADAILTON APARECIDO CORREA
-
Thematic catalogue of the sacred art pieces by Cesário Mendes de Cerqueira at Our Lady of Sorrows Musical Corporation in Itapecerica (MG)
-
Líder : JOSÉ ANTÔNIO BAÊTA ZILLE
-
MIEMBROS DE LA BANCA :
-
ALINE AZEVEDO COSTA
-
EDILSON ASSUNCAO ROCHA
-
JOSÉ ANTÔNIO BAÊTA ZILLE
-
MODESTO FLAVIO CHAGAS FONSECA
-
Data: 22-sep-2023
-
-
Resumen Espectáculo
-
This research aims to produce a catalogue of the sacred art pieces of Cesário Mendes de Cerqueira (1896-1981) at the Musical Corporation Our Lady of Sorrows, in Itapecerica (MG), based on the principles coming from modern archival theories. The documentary volume that has been amassed in Brazilian musical corporations archives for centuries is huge. In this sense, a vast music graphic and musical iconographic documentary heritage emerges, revealing an expressive cultural capital in Brazil and, more specifically, in Minas Gerais. In this context, there is the Musical Corporation Our Lady of Sorrows in Itapecerica and its collection, in which one can find works of composer and professor Cesário Mendes, a collection that has approximately 400 compositions. In this scope, the sacred works stand out, and the proposal to elaborate a catalogue offers possibilities of new research works, providing access to researchers and generating new perspectives in this branch of knowledge. In turn, it is urgent to have the basic concepts of "Document Management" applied to the collection of such institution. In this context, the lack of knowledge on the subject, at times widespread among music bands, puts at risk principles establishing the identity of a document together with its producer organ, ensuring thus an individuality in the organic set which this document is part of. It is in this sense that archival science establishes guidelines for both the ordering and the preservation of documents with proper management, ensuring their present and future informational potential. The set of works of Cesário Mendes, which goes from sacred to profane, represents important and significant part for the history of Itapecerica (MG) and for the national culture. With special emphasis on sacred works, it was possible to carry out the cataloging of a number of 103 compositions of this musical genre. As for the procedures and results achieved at the end of this work, they can corroborate the revitalization, preservation and conservation of such collection which, for over two centuries, has been consolidating a cultural identity of the city of Itapecerica.
|
|
4
|
-
Cássia Mariza Resende
-
THE IMPACT OF MUSICAL PRACTICES AS A PROTECTIVE FACTOR FOR THE QUALITY OF OCCUPATIONAL LIFE IN HEALTH PROFESSIONALS AT HOSPITAL NOSSA DAS MERCÊS/SÃO JOÃO DEL-REI/MG.
-
Líder : SERGIO DE FIGUEIREDO ROCHA
-
MIEMBROS DE LA BANCA :
-
ANTONIO CARLOS GUIMARAES
-
EDSON JOSÉ DE CARVALHO MAGACHO
-
SERGIO DE FIGUEIREDO ROCHA
-
Data: 10-nov-2023
-
-
Resumen Espectáculo
-
Context: Burnout syndrome is characterized when the individual suffers, often chronically, the somatic effects of stressors that are not coped with. Evidence shows how the individual needs to seek ways to mitigate the harmful effects of stress on his quality of life, especially in the pandemic reality. Concepts such as resilience and self-efficacy have been deepened in the search for ways that help the individual to better cope with the difficulties of life. In this sense, musical practices have a fundamental role both in terms of emotional mobilization that can help mental balance and better cope with stressful situations, and in the expansion of brain functions such as cognition, memory, emotion, and intelligence. Objetive: a) to verify the protective impact of musical experience on the incidence of Burnout syndrome among the health team professionals of the Nossa Senhora das Mercês Hospital (São João del-Rei/MG); Subjects and methods: 45 subjects were recruited for this study - healthcare workers from the Nossa Senhora das Mercês Hospital - over 18 years of age, not under psychiatric treatment and not using psychotropic drugs. The study design was primary, observational, cross-sectional, retrospective, analytical and comparative. Two evaluation instruments (questionnaires) were applied: preliminary Burnout Identification Questionnaire (prepared and adapted by Chafic Jbeili from the Maslach Burnout Inventory - MBI) and the Portuguese version of the Brief Music Experience Questionnaire (Brief MEQ). Results: the results indicate that subjects with lower scores on the Chafic Jbeili Questionnaire (screening for Burnout Syndrome) have significantly higher scores in relation to musical experience (p<0.05). Discussion and Conclusion: The present study is part of a research that will include about 300 subjects, employees of the Hospital das Mercês healthcare staff (São João del-Rei/Minas gerais/Brazil). The sample of 45 subjects will be used to show the trends of the study. Because of this still small sample universe, it was not possible to investigate other aspects such as possible gender differences or differences among the various sectors of the hospital. It is expected that such data can be generated from the target sample of 300 subjects. As demonstrated, the trend that musical experience acts as a protective factor in the stressful environment in the hospital setting may indicate future preventive strategies regarding the level of stress in the healthcare staff, such as the inclusion of musical practices for the healthcare team members.
|
|
5
|
-
Leandro Mendes Pinheiro da Silva
-
MUSIC AND MENTAL HEALTH: A COMPARATIVE STUDY IN THE FIELD OF MUSICAL EXPERIENCE AMONG STUDENTS OF THE STATE CONSERVATORY OF MUSIC LOBO DE MESQUITA (DIAMANTINA/MG)
-
Líder : SERGIO DE FIGUEIREDO ROCHA
-
MIEMBROS DE LA BANCA :
-
SERGIO DE FIGUEIREDO ROCHA
-
ANTONIO CARLOS GUIMARAES
-
MARIA AMÉLIA CASTILHO FEITOSA CALLADO
-
Data: 30-nov-2023
-
-
Resumen Espectáculo
-
For years we live with mental illness and at the same time we are also looking for mental health, being mentally healthy the one who can react positively to what life requires, in order to harmonize aspirations, aptitudes, desires, concepts and emotions. In this sense, the relationship between mental health and the different experiences with music needs to be studied, as there are still important themes that are little or not explored, so this research was intended to verify how the level of musical experience is related to the levels of depression. , stress and anxiety. A primary, observational, cross-sectional, retrospective, analytical and comparative study was performed. Eighty questionnaires were collected as adults (from 18 years old) from the Lobo de Mesquita State Music Conservatory in Diamantina-MG. The data collected were socioeconomic information and trajectory in music, the MEQ, the Trait Anxiety Inventory and the Depression, Anxiety and Stress Questionnaire were also applied. Preliminary results showed a sample with men (30.6%) and women (69.4%) mostly in the age group of 31 to 40 years (37.5%), with complete higher education (26.3%), workers and students (35%), undeclared music professionals (90%), studying guitar (41.3%), and the time spent studying the instrument ranged from six months to three years (48.8%). As motivation to be at Lobo de Mesquita, they were highlighted in order: dream fulfillment, learning a new instrument, improving the mind, occupying free time, improving performance and by indication of a health professional. Regarding the MEQ, we found that in terms of experience with music in general, there are no significant differences between men and women, but in the analysis of variables, men tend to perceive less psychoactive effects and emotional factors, while women have less commitment to music. and more subjective and physical reactions. In the group studied, the tendency for anxiety, stress and depression are within the expected limits. The ratio of men and women with higher scores for experience with music also present good scores for not being mentally ill (depression, stress or anxiety of some kind). Thus, we can infer that the relationship with music occurs in different ways in men and women, even if they are both “protected” from mental illness, women have more sentimental relationships and men less, this is also due to their social role, for example. : men do not cry. Therefore, music is experienced by Lobo de Mesquita students and its relationship with mental health is directly proportional, although future analyzes may show us more intense aspects of the musical experience and how to evaluate it.
|
|
6
|
-
ANA MARIA JANUNZZI DE SALLES
-
"THE TIME IS NOW": PIANO LEARNING AND MULTIPLE OLD AGES
-
Líder : CARLA SILVA REIS
-
MIEMBROS DE LA BANCA :
-
ADRIANA DO NASCIMENTO ARAÚJO MENDES
-
ANTONIO CARLOS GUIMARAES
-
CARLA SILVA REIS
-
LILIANA PEREIRA BOTELHO
-
Data: 07-dic-2023
-
-
Resumen Espectáculo
-
The general objective of the present work is to investigate the particularities of the piano teaching-learning process in old age in the scope of the university extension project "My time is today: the piano in old age" (PROEX/UFSJ). It is also intended to approach the concept of multiple old ages in contemporary society through epistemic dialogues with other areas of knowledge; to clarify which are the consonances and dissonances, possibilities and difficulties of Piano Pedagogy in relation to the elderly student, from the perspective of inclusive education and also to indicate appropriate teaching strategies and materials for the age group addressed. This is an exploratory research developed in two strands, bibliographic and experimental.
|
|
7
|
-
IGHOR PATRICK ANDRADE DOS ANJOS
-
Going Through Classical and Popular Music: a Study from Biographic Narratives of Brazilian Pianists
-
Líder : CARLA SILVA REIS
-
MIEMBROS DE LA BANCA :
-
ANTONIO CARLOS GUIMARAES
-
CARLA SILVA REIS
-
LEONARDO BARRETO LINHARES
-
STEFANIE GRACE AZEVEDO DE FREITAS
-
Data: 14-dic-2023
-
-
Resumen Espectáculo
-
Considering the recent introduction of popular music as scientific subject into the Brazilian Academic Community and the european tradition present in the piano education, it is possible to comprehend how the dichotomy erudite/popular still prevails. However, the “Amphibious Musician” profile (AQUINO, 2007), that combines both popular and concert music knowledge in a multiple and creative musical activities, are growing in numbers and showing itself more suitable to the actual work demand in the brazilian context. Given these considerations, this research aims to look into the musical education process and professional activity – in both popular music and concert music universes - of four pianists acting in brazilian territory. To achieve its objective, this research pretends to use the method of biographic-narrative investigation (BOLÍVAR, 2010) through the approach of narrative interview (FLICK, 2013). It is expected as result to clarify issues that concern the musical education and professional acting of the brazilian pianist nowadays.
|
|
8
|
-
JEAN CARLOS GOMES DA COSTA
-
REFLECTIONS ABOUT THE CONSTRUCTION OF A MUSICAL PERFORMANCE: THE SEARCHING OF ARTISTIC IDENTITY
-
Líder : ROGERIO TAVARES CONSTANTE
-
MIEMBROS DE LA BANCA :
-
BRUNO SOARES SANTOS
-
CATARINA LEITE DOMENICI
-
GUILHERME CALDEIRA LOSS VINCENS
-
ROGERIO TAVARES CONSTANTE
-
Data: 14-dic-2023
-
-
Resumen Espectáculo
-
This research is based on autoethnography. The first chapter shows the metodology and theoretcal discussion about the more important concepts to this research: performance, performance construction and authenticity. The second chapter discuss about the process of a performance and preparing a solo guitar recital, which can be indentificated musicological analysis and implications of the decisions in performance. Furthermore, this chapter devotes much of the discussion to the proposed recital. In this sense, this research presents a general overview of how to organize and plan a performance, addressing aspects of instrumental practice, a possible path for selecting the repertoire and extra-musical issues relating to the production of the recital.
|
|
9
|
-
MILENE ALICE DO SACRAMENTO
-
Proposal for the elaboration of a catalog of musicographic works and documents by Presciliano José da Silva
-
Líder : MODESTO FLAVIO CHAGAS FONSECA
-
MIEMBROS DE LA BANCA :
-
EDÉSIO DE LARA MELO
-
JOSÉ ANTÔNIO BAÊTA ZILLE
-
Lenita Waldige Mendes Nogueira
-
MODESTO FLAVIO CHAGAS FONSECA
-
Data: 15-dic-2023
-
-
Resumen Espectáculo
-
The musical work of Minas Gerais composer Presciliano José da Silva is disseminated, for the most part, by musical manuscripts under the custody of different institutions. Orchestras in Campo das Vertentes in Minas Gerais perform some of his compositions annually, and although he is a prominent name in the Brazilian national scene, there is no news about the existence of a catalog of his works, as well as the sources that transmit them. The main objective of this research is to elaborate a proposal for cataloging the composer's musicographic works and documents, in order to provide an instrument with substantial information, allowing interested parties to have a broad and organized view of Presciliano José da Silva's musical work. Based on national and international descriptive standards, the research process was anchored in critical readings of catalogs by portuguese and brazilian authors of recognized importance, as well as methodological tools applied to the study of musical documents. As a result, we will present a solid proposal, technically based on archival concepts and theories and, above all, an instrument of wide diffusion of the renowned composer.
|
|
10
|
-
PRISCILA LA GATTA CARMINATE
-
"CAPRICHO DE CHORO" BY HAMILTON DE HOLANDA: TRANSCRIPTION AND ARRANGEMENT OF BRAZILIAN POPULAR MUSIC FOR HARPSICHORD AND ITS IMPLICATIONS ON PERFORMANCE PRACTICE
-
Líder : BRUNO SOARES SANTOS
-
MIEMBROS DE LA BANCA :
-
ANTONIO CARLOS GUIMARAES
-
BRUNO SOARES SANTOS
-
GUILHERME CALDEIRA LOSS VINCENS
-
HELENA MARINHO
-
MAYRA CRISTINA PEREIRA
-
Data: 18-dic-2023
-
-
Resumen Espectáculo
-
This research aims to make a transcription and an arrangement for harpsichord of “Capricho de Choro”, by Hamilton de Holanda, through a series of formal and interpretative choices, by which idiomatism can be adequately explored in popular Brazilian music performance. Sound similitudes between the bandolin and the harpsichord as well as the space for the expantion for the use of the harpsichord in Brazilian popular music, as shown in the literature review, have been the motivation for this research.
|
|