The present study aims to present historical
heritage, productive, critical and environmental issues of stained glass art. The rescue of the
historical process of the stained glass art in the world in relation to the Brazilian
Brazilian artistic productions, through a historical literature review, helps to understand the
understanding of the state of art in Brazil, its challenges and potentialities,
articulating global and local aspects. The study starts from the observation of
necessity of a process of systematization of preservation applied to the conservation and
applied to the conservation and restoration of Brazilian stained glass windows, given their
associated with heritage buildings in the process of heritage preservation.
patrimonialization process. Factors such as the lack of knowledge about the artistic technique
artists, the type of treatment to be given to the Brazilian collection, the scarcity of didactic
lack of didactic material in Portuguese, shortage of professionals, lack of technical knowledge of
restoration, specific public policies, are decisive factors to that
few initiatives related to stained glass were implemented in Brazil in the last decades.
last decades. Given the high production of glass in Brazil, high consumption of
glass and consequently its wide disposal as solid waste and its problems, it is important to
and its problems, it is important to reflect about the stained glass production issue from
from an ecological, environmental and sustainable perspective. Spreading artistic
artistic practices in glass can collaborate with recycling, circular economy and
generation of income, presenting socio-environmental and economic possibilities.
To this end, a literature review, atelier practice and formative
actions, in the form of action research, raising critical applications,
artistic and cosmopoetic applications of glass.

This research focuses on understanding self-management as a method of constructive organization so that it is still possible to carry out housing of social interest. It seeks to understand the various systems so that they can be built. In the search for sustainable possibilities of housing production, in broad terms, we understand how to improve life condition of the low-income population, which, despite the difficulties, accumulate and exchange experiences in the search and demand for creative and innovative proposals that make possible the dream of a more dignified life.

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This dissertation analyzes the relationship of public schools in the city of São João del-Rei, MG with the problem of urban waste. It is an action-research that explores the relationships between what is lived inside educational institutions and its developments in the city that surrounds it. If, on the one hand, school institutions have historically reproduced a culture of distancing the human being from nature and stimulate an increasingly accelerated production and disposal logic, which exacerbates the problem of solid waste, on the other hand, the school is also a privileged space for cultural re-elaboration, with an important role in training for citizenship and environmental responsibility. The purpose of this work is to analyze how the school culture of Public Schools of the state education network in the city of São João del-Reiis related to the absence of an effective program of selective collection in the city. It uses Paulo Freire's legacy and studies on educommunication, to think about the interfaces between public policies and educational institutions.

The present research has sought to recognize the socio-spatial transformations that occurred from the advent
of the arrival and expansion of photography by photographers and/or portraitists who circulated in Minas
Gerais in the 19th and early 20th centuries, primarily those who recorded Barbacena's, Lavras' and São João
del-Rei's landscape and society, which are micro-regional poles of the Campos das Vertentes mesoregion,
in almost 50 years since the arrival of photography in this region. It seeks to understand how the imagetic
production in this territory impacted the social construction and structuring of collective memory and social
organization. To support this theoretical-methodological study, theoretical references are being researched
on urban issues, memory, Anthropology and/or Sociology of the image, photography and its history. At the
same time, information on itinerant photographers is being crossed, as well as the collection of photographic
images from this period in available collections, which corroborate the understanding of photography and
photographic production in Brazil, Minas Gerais, and specifically in the mesoregion of Campo das
Vertentes of that time. These pioneers of photography coming from different places, when expanding their
activities in this region, brought more than the production and commercialization of portraits, they allowed
photography to be assimilated as a document of reality and to be consumed as an element of a modernity
in process. However, photography is an instrument that communicates and dialogues; it can unveil, “put
light and focus” and contextualize the gazes and the perceptions of this region, contributing to the formation
of memory and places of memory, allowing reflection on the aesthetic, social, cultural, historical, political,
economic and psychological dimensions, and even being able to interfere in the transformation of both the
landscape and the urban space.

Narrating and analyzing a popcorn cart, which became a museum in 2015, named Muquifoca, was the main path of this dissertation. Through cartography and active participation in the events, this unusual way of exposing collections and memories is studied, which leads the museum beyond its walls, reaching the community and institutions and places outside the same. We analyze the connections that Social Museology encourages, always using the interdisciplinarity as a basis, which allows museums a new format, with freedom of doing and undoing, placing and removing, always giving voice to its interlocutors, with dialogue, worrying about the problems of the territory and its residents, making art, thinking about urbanity and environmental and social sustainability. The possibility of having a museum education, non-formal, which encourages creativity and the acquisition of social awareness, when you can to be critical, questioning the lived reality. The dissertation questions the hegemonic and eurocentric of traditional museums, when researching the possibilities and certainties of the new 21st century museums that are concerned with human beings, their relationships and memories. O popcorn cart museum is innovative, provocative, liberating and becomes important educational and communication device, such as the help of its mediators.

The purpose of this research is to bring environmental awareness through the artistic making in eco-education. Develop critical thinking, seeking to increase awareness of climate change, showing how art education can collaborate in the development of the community's environmental perception in relation to its natural and cultural heritage.

The present research analyzes the cultural and historical aspects of the musicians of “Largo do Carmo” in São João del-Rei, from the Sacred and Profane phenomenon in the traditional society of São João. It begins with a brief approach to the science of religion in the context of anthropology and history and how sacredness manifests itself in the population through the musicality present in the surroundings of Largo do Carmo, with a spatial cut that includes Praça Carlos Gomes, the Church Nossa Senhora do Carmo, the Carmo cemetery, the Sociedade de Concertos Sinfônicos and Rua da Cachaça. A place that serves as a setting for “beliefs and rituals”, where popular and erudite music groups share the same space, forming a society full of anachronisms that refer to the Baroque period and still remain active in the city’s traditions. The research ends through the plastic production, with the materialization of the creative process in the production of a series of paintings entitled as: “Sacred and profane tones and sounds of Del-Rey inspired by the musical events found both in the liturgical ceremonies of religious sacred musicality and in the pagan music from the bohemian zone. With the hope of achieving good results whose bias works interdisciplinarity in Arts, Urbanities and Sustainability, it is important to establish the relationship between society and the city, which, in a way, is a producer of knowledge. In order to understand how everyday practices and the organization of space in the cultural milieu take place, it is necessary to delimit a field of knowledge and dedicate oneself to observation, because, by producing art and science, we are opening paths for new learning.

Autobiographical research that presents the creation and systematization of an eco-artistic approach, the AAEC – Circular Ecological Artistic Approach, which aims to stimulate, create and develop creative artistic processes that aim to integrate children and adolescents with nature through art, in areas with preferably natural vegetation. The proposal intends to look at the architectural space of the city and the countryside, proposing artistic activities and creation processes in the green areas of Brazilian territories.

The present work aims to evaluate indicators and urban problems on health problems and urban problems in the micro-region of São João del-Rei, which is part of Campo das Vertentes, and to give an opinion about the items of a problem. For this, we will cite information inherent to the environmental legislation in force in Brazil, and make a comparison with other regions of the world on the generation of particles; the correct use and treatment, transport, destination and treatment, as well as environmental impacts. How to study the waste from the health units of São João del-Rei: Santa Casa da Misericórdia, Hospital das Mercês and Unidade de Pronto Atendimento (UPA), analyze the types of waste generated by these, and comparing them with other health and urban waste of the micro-region of São João del-Rei. In the methodology, technical visits will be carried out in the field, with qualitative data collection and research with people involved in the processes. The Failure Management and Effect Method (FMEA) will be applied as evaluator of problems found in some situations in the companies. Finally, will be examinaded what is the role of the public management of the municipalities: the Consórcio Intermunicipal de Gestão e Desenvolvimento Ambiental Sustentável (Cigedas Vertentes), Consórcio Intermunicipal de Saúde das Vertentes (Cisver), also the role of Associação dos Catadores de Material Reciclável (Ascas) and NGOs focused on waste in the region, in addition to evaluating the importance of companies with direct contracts with the Municipality of São João del Rei and the health units of city, for the disposal and treatment of waste, such as Serquip and Pró-Ambiental, which are some of the main companies that go through tenders in the region. Will be avaliated which is the best type of final provision for the types received, comparing the reality of dumps, landfills and sanitary landfill, checking the environment how all this can help the environment as a whole for these municipalities, and organizing as ideas to the proposed theme for the Programa Interdepartamental em Interdisciplinaridade em Artes, Urbanidades e Sustentabilidade (Pipaus).

Neste texto, apresento uma narrativa qualitativa em primeira pessoa, a partir do meu ponto de
vista enquanto professora de arte da educação básica, artista e arteterapeuta, que busca um olhar
sensível no trabalho em sala de aula, na contramão de uma educação bancária e reificadora.
Nesse sentido, o texto tem um caráter contra-hegemônico e questionador das opressões e dos
condicionamentos tradicionais no campo educacional e apresenta a minha busca por romper
com estereótipos e encontrar caminhos para driblar a rudeza neste campo. Sendo assim, trago
memórias da sala de aula na tentativa de encontrar caminhos sensíveis que nos libertem desses
condicionamentos. Além disso, apresento a influência da arteterapia como possibilidade de
pensar atividades em sala de aula durante o período de ensino remoto em decorrência do
COVID-19, a partir da observação da situação de saúde psíquica dos estudantes. Paralelamente,
questiono os desafios de construir uma trajetória como artista, diante da rotina de professora de
arte da educação básica. Trago, também, para o processo de construção deste texto, a busca
dessa trajetória a partir de uma série de pinturas realizadas durante a pesquisa, de forma
arteterapêutica, com as quais articulo os conceitos trabalhados no decorrer da dissertação.
Todos os processos narrados levam em consideração o meu próprio processo de
autoconhecimento e individuação, no exercício dos papéis sociais que represento e na tentativa
de ressignificar a própria trajetória, assim como as expressões e experiências subjetivas dos
estudantes. Intenciono mostrar nesta pesquisa, principalmente, a importância do olhar para o
nosso mundo interno, no diálogo com o mundo externo, e como a arte e a arteterapia -
vivenciadas por mim e propostas aos estudantes - podem contribuir para esse olhar e processo
de autoconhecimento. Trago como aporte teórico principal os conceitos de Inconsciente e
Individuação da psicologia analítica junguiana; a prática da Arteterapia de Liomar Quinto de
Andrade e de Angela Phillipini; o conceito de transdisciplinaridade, de Maria Cândida Moraes,
Nicolescu, D’ambrosio; e a concepção de Educação Libertadora de bell hooks e Paulo Freire.

The change in eating habits in recent decades has impacted people's health and, as a result, Chronic Non-Communicable Conditions have increased every year in Brazil and around the world. Food choice is not a simple process and is the result of several factors, influenced by socioeconomic conditions, changes in families' daily routines, as well as interference from food industry marketing. Increased access to information available on communication networks has had an impact on food choices and consequently on health. Food and Nutritional Education is one of the guidelines of the National School Meals Program, being an important strategy for health promotion. Food and Nutritional Education is one of the guidelines of the National School Meals Program, being an important strategy for health promotion. Taking care of family nutrition requires an awareness that nutrition involves not only biochemical processes, but an entire social, political and economic involvement and food availability, based on the assumption that healthy and adequate nutrition is a right guaranteed by law and that not everyone has access to healthy and safe food from a nutritional and environmentally sustainable point of view. The present work aimed to understand the dietary profile of parents of students in the 5th year of elementary school I at School Sesi Dom Bosco in São João del-Rei/MG, as well as evaluate their knowledge about healthy eating, in addition to identifying which determinants of food choices made by these families. To collect data, a semi-structured questionnaire was applied and 45 parents and/or guardians of the students participated in this research, being a cross-sectional, quantitative study with descriptive quantitative analysis. It was found that the majority of families still maintain a traditional Brazilian diet, including rice and beans, milk, with consumption of one to two fruits per day, and reveals the presence of vegetables in the diet of 84% of these families. All participants describe natural or minimally processed foods as healthy and ultra-processed foods as unhealthy according to the new classification of the Food Guide for the Brazilian Population, but without mentioning issues such as food production methods, agroecological products, as well as affective and cultural values that involve the act of eating. We can conclude that the multidimensional view that involves the act of eating was not mentioned, presupposing a reductionist view of food. The data collected and analyzed serves as support to propose Food and Nutrition Education that goes beyond work at school, also involving parents who are responsible for forming their children's habits.

The present research seeks the poetics and subjectivity of dressing in contemporary artistic practices. The first part of this work involves autobiography, the practice of the Thrift Store and the book “Marx's Coat” by Peter Stallybrass. These three sessions understand dressing not only as a social necessity, but also as a historical and affective place. The objective of this investigation is to observe the poetics and the social life of the things presented in the works of Emily Spivack, Regina Galindo and Christian Boltanski, leading to the reflection of the discard and the implications of understanding dressing as a poetic and historical situation. The course of this search understands that thinking of clothes as an affective space can lead to a more sustainable perception of the use of clothes;

The objective of this research is to analyze the artistic production used in the construction of new bicycle models in the city of Afuá, located north of the island of Marajó, PA. Conduct a survey of this artistic production and evaluate the sustainable urban condition using the book Design For a Real World by Victor Papanek as a support tool. A case study covering art, urbanity and sustainability. It is also intended to carry out an Interdisciplinary study on the creation of new bicycle models based on Municipal Law No. 201/20022, which came into force in Afuá almost 20 years ago, prohibiting the movement of motorized vehicles through the city. Analyze the possible environmental advances that occurred in the small city after this law came into force. It is important to create a cartography on the topic.

The work aims at making therapeutic gardens in the home of children with functional disability, students from the Association of Parents and Friends of the Exceptional (APAE), from the city of São João Del Rei, Minas Gerais. It is believed that the use of the garden will be a stimulus tool to promote well-being and development for these people. It will be carried out in homes due to the COVID-19 pandemic, which caused social distance, making it impossible the confection at school, however, promoting the involvement of families in an integral way. Therefore, parallel to this practice, the debates about what the pandemic has caused in the experience of these individuals and the theme of social inclusion (also contemplating the pre-pandemic scenario), will also be addressed.

The purpose of this work is to carry out a critical reflection on coloniality, informed by a reflexive artistic perspective on the possibilities of using the disposal of scrap materials from sawmills in the microregion of São João del-Rei - MG, mainly with sawdust, seeking a mass that can be used in modeling, molding and/or sculpture. I describe memories about personal experiences in the family sawmill and an experience with activist art in the city of São João del-Rei. I also report on the expansion of joinery in the region and what to do with their scrap materials, with sawdust with main target. Exploring the use of sawdust, I did research on the tradition of street rugs and the process of making during Catholic religious festivals. To achieve the goal of developing a mass for modeling and molding, I went to the field and visited a resin imaging factory. I followed the process of casting the images and recorded the procedures. The next steps are, among others, catalog ing the sawmills of the microregion of São João del-Rei, collecting scrap materials, developing the dough, producing art objects, making a virtual catalog and a booklet to distribute to artisans in the region.

We are facing a disharmonious model for development that touches on mental, political, science, scientific, social, urban issues and a consequent disconnection between living systems. It is necessary to rethink the actions that can contribute to changes in attitudes towards environmental issues, in order to reconnect to the natural world a more ethical global system capable of projecting resources, originating from just exploring what exists. It is in this context that a proposal appears to investigate how regenerative practices are presented in digital communicative technology that supports network-projects. In other words, carry out an analysis of the technology that supports digital networks from the perspective of critical consideration of ecological relationships in a sociotechnical system in digital transformation.

The present research proposes to analyze the forgotten spaces of the city: The urban
voids, their territorial occupations, and how agroecology is used in urban garden law
projects that focus on sustainability. Any use of fragmented territory, voids in the urban
fabric, generates impacts on the landscape, on the well-being and quality of life of
citizens, these residual spaces have varied potential for uses, which can add to the
economy, and urban food security. There are some public policies and urban planning
that encourage the production of more sustainable spaces in vacant lots, and laws that
help popular claims that demand better planning of the territory with effective
management in cities to become more equitable. Faced with the conflicts between
different agents, in the neoliberal and capitalist context in relation to disputes over urban
territory, there is resilience of the voids in the territory. What are the conditions to resignify
the urban landscape? How to take advantage of the potential of free areas as green
“breaths” for gray and dense cities? Through these reflections, and a case study of similar
law projects for urban gardens in the cities of Varginha and Sete Lagoas, Minas Gerais,
their executions, motivations, local impacts and urban structures of both cities will be
analyzed and compared with the transformation of landscapes. greener urban spaces for
sustainable temporary uses in urban land. In addition to debating on the implementation
of urban garden law projects in vacant lots, this research has an informative almanac that
was prepared by me to accompany this dissertation as a result of the practice of this
research, which aims to help the dissemination by serving as material for the
agroecological training offered by the technical assistance of Emater de Varginha in the
Pró Horta program in the same city located in the south of the state of Minas Gerais and
hopes to serve as a basis for future research on the themes related to urbanism, urban
voids, territorial occupations, and community gardens urban ones in cities that intend to
have public policies similar to those presented here.

Currently, the logic of neoliberal urbanism is strongly present in the way cities are governed, which causes uneven growth and development, evidences and intensifies the polarization of social classes and causes innumerable damage to the environment, reflecting in spaces as injustices of the system . Expensive land has guided and still guides the way in which urban space is occupied, in a process that prioritizes exchange value over use value - according to the concepts of Karl Marx, consolidated in the application for space by Henri Lefebvre (2001) Thus, a series of factors contribute to the affirmation of the ideal of the city in the social imagination, permeated by the modernity and practicality that the system insists on advocating. For the purposes of this research, it is interesting to study Agroecological Urbanism as a subversive alternative for the management and development of cities, contributing to the transition and construction of a new paradigm.

The object of study of the research is subject of observation both of science and of the popular daily life, since the city and the agroecology are apprehended in these two fields. What differentiates them is the form, the method and the instruments of this "knowing". This diversity of the source of knowledge and the way in which they dialogue configure, precisely, the plurality that can be obtained in this journey based on transdisciplinary thinking.

The investigation comes from a personal nuisance, as a citizen of San Juan, a cyclist - and a pedestrian - of moving

around the city. Hence, studies on mobility and walkability emerged with a focus on urban design, the morphology

of the medium-sized city and its relationship with the rate of traffic accidents1, specifically in São João del Rei. One

of the first questions raised was why the sidewalks are so narrow and occupy such a small strip of the street? There

is room for widening sidewalks and setting up cycle paths, for example, but why is this not done? And yet, because

what is done is the opposite: increase the space for cars at the expense of space for pedestrians and non-motorized

ones? A first bibliographic research points in some directions to seek these answers, as in the relationship between

space and society, capital and politics, involving the whole question about urban formation in the world and in Brazil,

with its specificities and locations. The proposed investigation crosses the concept of Human Scale applied to mobility,

an object to be investigated through urban design - an integral part of the design-planning-management tripod, in

which design is more linked to form, planning to the elaboration of a plan and management to implementation and

maintenance. For this, there is a spatial cutout that covers part of the Matosinhos neighborhood, in the city of São

João del Rei - Minas Gerais. The area draws attention due to the large number of traffic accidents and their consequent

victims, highlighting the need to create and implement a cohesive mobility plan. The first stage, according to the

Municipality of São João del Rei, is already ready and continues in the legislative process, however the document

has not yet been made public and there is no news about it, leaving a vacuum with regard to the theme in City.

The creation of cities and the increasing expansion of urban areas have contributed to the growth of negative environmental impacts. Customs and habits in the use of water and the production of waste due to the exacerbated consumption of material goods are responsible for most of the changes and environmental impacts. Within this context, physical and biological environmental changes, over time, modify the landscape and compromise ecosystems. In this sense, the city of São João del-Rei/MG produces approximately 120 tons of garbage and waste per day and has great challenges in its proper disposal. From this premise, the proposal of this research is to seek solutions and transformations of waste discarded, inappropriately, into products and services useful to society, in a way that also makes possible the environmental awareness and the development of the local economy, through partnerships with institutions and associations involved in waste collection, as well as through public and private companies in the support and commercialization of these products

This research presents a record of practical experiments in action research
research-action in the field of Environmental Education, aiming to raise environmental awareness in the
Municipal Ecological Park of the Serra do Lenheiro, in São João del-Rei, Minas Gerais.
Considering the political and social context of the period in which this research was conducted, the
practical experiments sought ways to interact and inform different groups of people who interact with the
with the Serra do Lenheiro, revealing important considerations about the interaction between people and the
people and the territory studied.
The results and developments of the experiments contributed to the construction of
library of data about the studied territory. In order to be able to share the data
of the data obtained in the research with the population, it was proposed the construction of an interface that
to meet this condition.
Finally, the research presents important considerations about the Serra do Lenheiro in its
different scales and presents a proposal for the dissemination of knowledge and environmental awareness.
awareness.

Social movements come from decades of struggles for rights and equity. Using a descriptive exploratory case study and content analysis, the actions of four groups were analyzed: Agricultura de Pé no Chão, Coletivo Pirilampo, Cor&Ação and Filhos das Estrelas, all of them from the city of Barbacena, Minas Gerais. Given the scenario of suspention of presential activities, the research was based on actions prior to 2020 and on its social networks. In the first chapter we relate urban movements to concepts such as art, urbanity and sustainability. In the second chapter, the case study was worked on, highlighting and discussing the activities of each group, associating with the highlighted themes. While the third chapter, is based on the analysis of content articulated from the social networks movements, generating qualitative data, which allows a better understanding of their speeches and their practical applicability. Chapter four and the last, can be understood as such, can be understood as such; as agents of transdisciplinary, human and ecological training. Finally, the researcher's vision, her journey to this research theme and her artistic projects arising from this work were articulated. Based on the data and studies conducted, it was possible to reaffirm the extreme need of social movements, in their most diverse possibilities, in the processes of social, environmental and political formation, both in their ideals and actions.

This dissertation argues about the possibilities that the theatrical game provides to transdisciplinary work, having as framework the sustainability, urbanity and decolonity using the perspectives of reflection and putting oneself in the other's place that, often, the art of scene provides. It is believed that the game enables the strengthening of the involved people identities in regard to urban space, to communitary sense, to exaltation of their individual and local culture and to the reflection about their place in society, elements that are often silenced by the survival process whether in the community or inside prisional system. The place where the research was carried out, the State School
Detective Marco Antônio de Souza, is a formal educational space turned to young people and adults deprived of their liberty and the purpose of this study was to carry out and discuss with them how theatrical game can articulate debates about arts, urbanities, sustainability and decolonity by individuals deprived of their liberty, through a workshop/experience proposal that respects the student's culture and makes them to reflect about society, how it is formed and the colonial motives in it that led them to have their freedom curtailed. In view of the problems arising from the research, which led it to undergo several changes and, considering that the methodology used  was cartographic, we present here cartographically, the affections and perceptions of the mishaps that led us to present the proposal to which we arrived.

This research concerns an agroecological community garden, made by women, in the city of Santa Cruz de Minas - MG, named Nossa Horta. The general goal of this research was to observe the transformations that this project produces in the environment in which it is inserted and in the women who participate in it. A theoretical, bibliographic and documentary research was carried out on the theoretical components present in the garden, which explores the concepts: gender inequality, female empowerment, feminism, ecofeminism, Agroecology and urban agriculture, as theoretical and practical frameworks capable of promoting environmental and social regeneration.
From interviews, documentary research and participant observation, was conducted an analysis of Nossa Horta under different aspects related to theoretical research. Four practical experiences offered by the author to the project members during the research, related to the themes of female empowerment and environmental awareness, were included and described here. This research identified that Nossa Horta collaborates for the social well-being of the community in which it operates and positively impacts the urban environment, constituting a channel to promote female empowerment and environmental awareness of the people involved. This work demonstrates that Nossa Horta is an action with political force, which deserves to be reproduced in other places and contexts. This socio-environmental project is a local initiative that presents solutions to global problems and, in order to have continuity, it must be thought of as a public policy.

The present work seeks to share under the minting of a new concept (Immaterial Engraving / Immaterial Engraving) the internal engravings found in the list  between memories and feelings. It is, then, an artistic perception of the artist-researcher who used it to understand the urban development process contemporary in the municipality that started to host it at the end of 2015 (Tiradentes, Minas Gerais). For this, the artist resorts not only to his poetic reading of the world contained in proposed concept, but also the methodology of cartography and intellectuals as Walter Benjamin, Giorgio Agamben, Buyng Chul-Han, Andre Gorz, Gilles Lipovetsky, Jean Serroy, Ailton Krenak among others. Drawing a parallel like that with his poetics, the experiences in the city that welcomes him and a philosophical thought.

Thinking about dressing as an artistic activity, architecture and urbanism as extended wearable bodies in urban spaces, and dialogical communication as wearable sustainability applied in contemporary times, the project takes shape as an intervention socio-educational and as visual and socio-cultural artistic poetics, explored in an artivist manner when developing dress in specificities - space, memory, communication and sustainable technologies. The transdisciplinary project seeks to reveal consistent and new research relating the areas; working with artistic practices that will take place in São João del-Rei (MG) - specifically at Fortim dos Emboabas and Galeria Adro - made with the community of Alto das Mercês and researchers from different areas of UFSJ; and to promote educommunicative experiences with the public in these centers, using moments of art and its sustainability to promote social justice, historical and iconographic record of processes and contents. The product is intended for an artistic exhibition, a catalog / video recording the processes conducted and the publication of the research.

The research aims to map the affections evoked in meetings promoted in a teaching internship, understanding the factors that guide the actions of planners-educators. When mapping the affections of the researcher that connect the territory, which is contemplated by living, physical components and historical memory in public squares in the city of São João del-Rei, there was the participation of several social actors, all of whom are regarded as planners- educators: students enrolled in the discipline and the passerby population, as well as residents of the neighborhood and the homeless. When mapping affections, it was also intended to glimpse the daily experience in urban micro-contexts, by perceiving the movements that make up these multiple bodies in the territories, thus understanding the views and meanings of the territories with the population involved. The methodology starts from the schizoanalytic cartography of Gilles Deleuze and Félix Guattari, where rhizomatically it was used photographic records, field diary, unstructured dialogues, joint composition of maps and making of materially artistic products. It was estimated to record the way of living prior to the pandemic of the new coronavirus in 2020, exposing affections as a way to also expose inequalities and the built art of the homeless population, making them explicit as active social actors.

The relationship between popular festivals and the city is crucial for the development and

constitution of social, subjective and urban relations. In Brazil, carnival represents a national

rite. Starting from a provocation in the Deluzian way: “what can a carnival block?”; and

understanding this carnival block as a device of popular culture accupying a specific space in

the city; the Chagas Dória Train Station, a disabled train station in the city of São João del-Rei,

MG, was used in that sense. This empty space was a platform for the activities of the block.

Between 2017 and 2020, several workshops, rehearsals and carnival performances were held.

In this process, a block identity was created and transmitted, mainly through traditional

Brazilian musical rhythms, also through the choice of repertoires, instruments, visual identities,

arts and strategies for dissemination through social networks. This process will be narrated and

understood here using the affective cartography´s features, understanding the political nature

of cultural resistance through the occupation of space and the teaching of traditional rhythms.

It was sought to look at non-linear connections, multiplicities and ruptures in this process,

through a rhizomatic bias.

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The research investigates the creation of the Max Guedes Cultural Center (CMAX) and its museum centers. We also intend to verify how the residents of your neighborhood are represented in these cultural spaces. The study of museological spaces allows a relationship to be drawn with social museology and activist museums through the preservation of the lived space, the recording of the experiences shared by the members of a certain community and the place delimited by well-defined borders that also demarcate identities. For the development of the work, we make use of different methodological strategies and use patchwork and cartography as prisms for analysis and interpretation of the data produced.

At the margin of the margin are places like Santa Cruz de Minas, and Dogtown in Santa Monica, California. But what do these places have in common? Abandoned pools and a series of interventions that modify and resignify the city's idle spaces based on urban culture, mobilized especially by the social group of skateboarders. And this socio-spatial transformation has characteristics that can be analyzed and better understood with the contribution of Deleuze and Guattari (2011), especially with complexity and rhizomes, which will guide us through a cartography of skateboarding through forgotten places. Within this street perspective, we will also pay attention to the action of urban artists, such as graffiti artists, pixadores, jugglers, and several other modalities that occupy the spaces outside the galleries and show houses. This is because they reveal a symbolic appropriation that reassembles, through images and bodily performances, facts forgotten in the overlapping of historical layers existing in these places. However, before an immersion in the interventions described, it is important to contextualize historical issues that occurred in the formation of the identity of santacruzenses and skaters as a social group, which will be done in Chapter 1 below.

The development of tourism in Tiradentes, Minas Gerais, has promoted significant changes in
the urban space and the socio-spatial relations of the local population. This paper, therefore,
proposes to analyze these modifications through the educational photographic experiences
developed with students from public secondary schools, in an inter/transdisciplinary way, in
the fields of arts, urbanities, and sustainability. These experiences are the object of the research

study in focus, which general objective is to contribute to the deepening of the critical-
appreciative apparatus of the local population of Tiradentes, through the development of

photographic experiences as communicative educational practices. The corpus of analysis is
then composed of the activities in which the photography acts as a driver of the valorization of
the regional culture, as well as the development of critical awareness of those involved, after
the gentrification processes triggered by the revitalization and the tourist exploration of the
Historic Center. To this end, five experiences were carried out, namely: affective cartography
consisting of the production of affective maps of the city; semi-structured interview consisting
of a questionnaire to obtain information about personal data and student requests; a workshop
on introduction to photography techniques; educommunicative photographic practices made
possible through a workshop on the use of the semiprofessional camera; and a photographic
tour of the city to produce images. These actions enabled the collection of the data to be
analyzed, as well as the production of images for a photographic exhibition, fostering debates
in the classroom. The methodology applied for the analysis of the experiences involved with the

students was the affective cartography. The paper also presents a review of the theoretical-
conceptual literature that underlies the analysis of the proposal.

The general objective of this thesis was to evaluate the contribution of the Granjinha Escolar experience to the Well Being of the students of the João Pio Municipal School, located in the Águas Santas neighborhood, in the city of Tiradentes. Considered an educommunicative and transdisciplinary experience, Granjinha Escolar is an area of the school intended for the cultivation of vegetables for own consumption, ornamental plants, such as flowers, to be sold, in addition to unconventional food plants and medicinal herbs for the preparation of herbal medicines. Cartographic intervention and data collection through participant observation were the methodologies used to describe the experience of the school garden and the knowledge involved in this practice, to identify consumption habits related to the students' food routine, according to the lunch served at the institution, and to relate the experience of the school garden with preventive health. The signs related to the change in quality of life were, thus, mapped, based on the studies by Paulo Freire, Ismar Soares, D’Ambrosio, and Helena Antipoff.

This dissertation aims to identify, through the analysis of documents of the
Venerable Third Order of Carmo, of São João del-Rei - VOTC, the social profile of its
membership, finding who and what each member was, and their relations with the
community. The research intends to demonstrate how this social structure presents
itself in terms of its relationship with the arts, urbanities and sustainability, areas of
our Graduate Programa at UFSJ, PIPAUS. Firstly, the studies would deal with
documental and bibliographic research, but in the first contact with the Order's
documentary collection, it was found that its state of conservation would require
immediate intervention and, through Labdoc - UFSJ, the process of disinfection,
sanitization and subsequent isolation was initiated. This process itself became part of
the scope of the dissertation, as well as the photographs made of a number of the
documents, which were fundamental for the documental analysis that followed, all
this linked to an even greater concern about the conservation of the historical and
cultural heritage of the region.

Humanity and its subjects have always been influenced by their space and time, which in the midst of their own thoughts reflect this relation of existence in the social context, producing memories that, historically, are subdivided into layers. Among the various spheres that space, time and memory generate is the relation of man to his creativity and his creative processes, and once this individual inhabits the city, his relation of space and time becomes a social relation urban, which can be reflected and distributed by the city in the form of ephemeral record, either through artistic insertions, urban interventions or photographic records of them. In this aspect, this research deals with how aspects of space (1), time (2) and memory (3) contribute to the constitution of creative processes of urbanography and collective creativity, focusing on studies that involve layers of memory of the city of São João del-Rei. 1. space is understood as the place where works of art are or are performed, and how this space interferes with creative insights; 2. how time is understood the historical and temporal context in the constitution of such works, which may or may not be ephemeral, just as they relate to contemporaneity in the digital world, and 3. as memory, the record that the individual is the artist or connoisseur leaves in space, which goes against the historical layers (time) analyzed in this research, another important aspect addressed are the relationships existing in this increasingly ubiquitous memory in the digital scope of cyberspace and contemporaneity. Parallels of different artistic productions were therefore drawn, with a greater emphasis on urbanography interventions in São João del-Rei, in which graffiti and urbanographic interventions were analyzed, comparing visual characteristics with other Brazilian cities. The research methodology used is qualitative research, since it involves visual analysis and ethnographic inroads of drift through the city, as well as some experiments of artistic productions in the field of photography and audiovisual, which encompass aspects of interaction and creative insights originating from characteristics as a result, a framework for a contemporary analysis of man's relationship with his space, time and memory.

The research presents an affective cartography in existential territories broached in Yoga classes of the Yoga For All project at the Federal University of São João del Rei (UFSJ). It is a relational map that seeks to understand how affects are present in the bodies of students and instructors involved in the classes, considering the relationship and influences with space. Through a reading of Satchidananda, Saraswati, Motoyama, Deleuze, Guattari, Ronilk, Rabelo, Kastrup, Bedin, among others, this dissertation brings information about Yoga, limited to what is pertinent to research given the extent and depth of knowledge of this science, and seeks to produce knowledge about the body and its power to be affected, initiated by questions inspired by Espinosa, and the relations of this body with the public space. The records made in cartography are affective compositions in order to make sensitive the experiences that the project facilitated. Like the yoga classes, the becomings in the photographs, the interviews started from a semi-structured script, the subjective rescue of the memory of space and the body of the Yoga For All project. After this work, it was possible to understand the network of interactions that the Yoga For All project manifested, how the connections, the agency components, the possible crossings of the place, and the affects were formed. In the process also appeared the expansion powers and the need to occupy other territories. There were escape lines and deterritorializations. In addition, instigated by the texts and theses studied, I developed critical reflection skills, affective observation and increased perception of the need for sustainable micropolitical actions. With the progress of the research I realized that the practice of Yoga, as a singularization device, can be a fissure in the modeling system of ways of existing, as it is a way, among others, that contributes to the formation of fully healthy, balanced and autonomous people. With consciousness it awakens to itself and its surroundings, capable of modifying and enhancing their actions in the world.

The emptying of social space and the consolidation of spaces of consumption points to a city as an object of a double meaning analysis: place of consumption or consumption of place? The aim of this study is to characterize the resignification of the urban spaces in São João del-Rei, specifically of the Marechal Bitencourt Street, and analyze the local social dynamics and its relationship with the city's materiality, seeking for an understanding of how these processes can be reflected on a global scale. Here, it is discussed the (re)production of space, incorporating questions that originate in the analyzed context, in order to understand how the resignification of a certain spatiality contributes to the urban consolidation dynamics of small and medium-sized cities. In order to achieve that goal, the general methodology is based on Henri Lefebvre's Regressive-Progressive Method. In this discussion, São João del-Rei, despite demonstrating a still incipient process of the phenomenon of street merchandization and functionalization, being a city in which there is still a certain volume of people in its public spaces, a critical look at its socio-spatial dynamics already shows a potentialization of its value of exchange, mainly in its Historic Center, notably through tourism. The paths traveled point to the city as a relational process, in which the street is both an instrument and an object of consumption. Therefore, the main discussion of this research was latent in the way that reinventions, or resignifications, sometimes overlap local traditions and its identity, in search of a new value and a new image.

Globalization, seen as a systemic phenomenon, englobes many dualities. One of them, the relation between spectacularization and democratization, is approached in a dialectic way in this research. This study aims to understand how this dichotomy presents itself in cultural projects and actions in the urban space. This discussion is permeated by the analysis of the Baixo Centro, a region of Belo Horizonte (MG), in Brazil. The space is occupied by a variety of cultural manifestations that have been attracting the government’s interest in the sense of culture-related investments. In this conjuncture, different questions emerge about the projects and the various ways of coexisting in public spaces. In order to understand this dynamic, this research discusses elements related to Brazil’s cultural and urban formation, in which domination and segregation structures are seen since the colonial period. This enables to support the discussion about the spectacularization of life, and more specifically, of Brazilian cities, as well as the possibilities of democratic change in this context. The Baixo Centro is discussed from this perspective, englobing its historical context and current dynamics, where different interest groups propose several uses for the region, using the implementation of cultural projects and actions as a way of transforming the urban environment. The dispute seen in the spot is then analyzed from the perspective of the spectacularization-democratization dichotomy. This analysis is permeated by a photographic counter-narrative, built from walking through the region, proposing to contrast theory and reality, approaching them. This photographic work intends to present an "inside view” of the researched object, suggesting its perception through a non-spectacular perspective.

This research conducted a reflective exercise, approaching the religiosity of a community, a group of 14 performers of the Folia de Reis, from the city of Carlos Chagas, in the region of Vale do Mucuri, Minas Gerais State, Brazil. The intention was to reflect upon the cultural transformations this group underwent after dislocating from the rural areas to the city. To this end, we conducted a qualitative research of ethnographic nature. Participant observation techniques and semi-structured interviews were used to understand the historical and cultural elements present in this cultural manifestation. It was possible to see how this practice sustains relationships, and how ethnic / cultural diversity characterizes this region and its vulnerability to the Technologization of Culture process, in the context of constitution of contemporary cities. The observation demonstrated that the Folia ritual acts as an articulating mechanism of elements, practices, knowledge, senses and meanings, which refer to the existence of a group and its uniqueness. And, in order to fully understand this singularity, it was necessary to have direct contact with the community, which enabled a resignification of the role of the researcher, materialized by means of action research, mobilization of cultural agents, and continuous reformulation of local cultural networks.

Talking about abandonment involves traversing several layers of constantly sedimented territories. A movement that doesn’t leave to grow since, make up both the physicality and the subjectivities of our cities.

Cities are in constant movement - of information, network, capital, and relationships - that produce and transform urban space. While the city is constituted as a living organism, the abandonments produce a certain lethargy.

Abandonment appears as an investigative process in this research, in its various approaches of relations, urban, social, economic, political, cultural and ecological. The paradox between empty of use and creative liberty structures the writing of this research.

The whole discussion is crossed by the scales of cities,sometimes from the metropolises, sometimes from small and medium cities, investigating the dialectic between revitalization and appropriation present in abandonment. The analysis of the ruins of Frigorifico Santa Cruz Ltda., in Santa Cruz de Minas city, explore your physical structure and your cultural territory of differentt appropriations.

Discover capacity in abandonment materializes possible urban imaginary enable by actions. Actions that happens spontaneously and approximate to the local in serach of alternative cultures and subscribe to urban and cultural sustainability.

Pela Greta, it’s a proposal of critical reading of the spaces of the city, which approach art as a extend of urban dynamics. Understanding abandonment as a socially process in the production of the cities and in the relations between nature and culture, show the complexity of the topics we will investigate.

This dissertation aims to address the arrival of cinematic exhibition activity in the mining city of São João del Rei in the context of its modernization in the late nineteenth and first half of the twentieth century, and how it is settled in specific buildings, the which today can be interpreted as cultural heritage.

               Cinema, a new modern form of entertainment, has been appropriated in different ways by the society studied here, and has transformed not only the local imagination, but also the urban space, through the adaptation and construction of buildings to host it, Street Cine Theater and the Street cinemas. Among these, were analyzed here the Municipal Theater, Cine Gloria and the Artur Azevedo Theater Club, buildings that can be considered a documentary building report of this period.

               This research was conducted on a diverse documentary basis, including newspapers, periodicals, city almanacs, photographs, advertisements, and design documents of the buildings, dating from the period of their conception.

               Considering the buildings, living testimonies and artistic materialization of the urbanity of a given period, special attention was given to the process of architectural conception of these, through the digitization and analysis of their architectural projects, as these constitute an important documentary cultural heritage. , which has potential in the maintenance of these buildings and as a source of research.

The present work studies the peculiar handicraft activity of manual weaving of Resende Costa-MG, considering approaches that permeate its traditional configurations, as well as its current conditions, based on the growth of the handicraft market. According to historical data, the activity came to the municipality through the Portuguese, who came to reside in the region in the eighteenth century, and spread among the women of the time. With the knowledge passing through the generations, this tradition of textile production gradually developed, expanding its demands and becoming a source of income for the majority of its residents. Thus, over the years, in order to keep pace with this growth that permeated the market, several innovations were required in the manufacturing process. Some of them considered inevitable and necessary, others that deeply compromised the originality of the pieces to be sold. Due to several factors, part of the traditional process of handmade weaving has been left behind, reducing the artistic richness of the products. Most of the artisans focused on repetition and profit, simplifying the composition of the pieces and discarding the “repassos” 2, more complex execution sayings and used by the first weavers of the city. Therefore, the main objective of this work is the recognition of the traditional technique of manual weaving, considering the characteristics of its complete process, as an inductive source of the creative process of the current resendecostense craftsman. It is believed that this action will bring more awareness of its inhabitants in relation to the valorization of the technique and its importance as an intangible asset of the municipality studied. The research in question presents a case study that, through interviews and other surveys in some municipal public institutions, has carefully analyzed current conditions, seeking proposals that are consistent with social reality and that are able to reconcile tradition and innovation within the market weaving. Taking into account the complexity and breadth of the theme, with respect to its social, artistic and economic character, it can be affirmed that this content was pertinent in relation to the transdisciplinarity, since it embraced several approaches on art, sustainability and urbanity.

The Poetics of the Skins is a proposal of sensible action through the Contact Improvisation in dialogue with the Five Skins (Epidermis, Clothing, House, Social Environment, Global Environment) proposed by Friedensreich Hundertwasser aiming at an interweaving of the areas of knowledge in Art, Urbanity and Sustainability in a transdisciplinary perspective. The starting point is the dialogue of the epidermis – the first Skin – with the practice of Contact Improvisation (CI), the movement of the body in improvisation that has the skin as the contact interface. This work intends to point out how the sensitive practice of the Contact improvisation provides the perception of the dimensions of the human being, reverberating in aesthetic and political actions that aim to contribute to the cultures of sustainability. In this context, sensitivity becomes a key to the interweaving of the various forms of knowledge, being also considered the necessary premise for real transformations in society. Therefore, the discourse on the sensitive body is extended to reflect the relationship between body and society, with the practice of CI as a possibility of deconstruction of habits, assuming that we have the right to modify our bodies, houses, city and, consequently, the society in favor of the quality of life evidenced in the daily life.