Banca de QUALIFICAÇÃO: MARINA APARECIDA PACHECO LEÃO

Uma banca de QUALIFICAÇÃO de MESTRADO foi cadastrada pelo programa.
STUDENT : MARINA APARECIDA PACHECO LEÃO
DATE: 30/03/2023
TIME: 14:30
LOCAL: On-line
TITLE:

(RE)EXISTENCE IN VERSES: SLAM DAS MINAS, A SPACE FOR ACTION, REPRESENTATION AND IDENTIFICATION OF THE BODIES OF BLACK BRAZILIAN WOMEN PLACED IN THE PERIPHERY

KEY WORDS:

Slam das Minas; Critical Discourse Analysis; decoloniality.

PAGES: 94
BIG AREA: Lingüística, Letras e Artes
AREA: Lingüística
SUMMARY:

Slam das Minas is an artistic, cultural and political movement that represents an attempt
to create a social space of struggle and resistance, in which the bodies and voices of
women - previously silenced, obliterated and oppressed - cultivate experiences, power
and refuge. This research proposes to highlight the Slam das Minas movement as a
transgressive movement that questions the dominant epistemologies and contributes to
the expansion of decentralized perspectives through plural knowledge and actions, thus
constituting itself as a necessary political movement to reflect and seek to contribute to a
more just and equitable society. From a decolonial and intersectional perspective of
Critical Discourse Studies, we will analyze the given networks of relationships between
social practices and discursive practices that cross the Slam das Minas movement.
Nevertheless, the objective is to investigate the networks of practices in which the themes
addressed by Slam das Minas are organized, in order to identify the materializations about
black feminism in the projected poetry; to explain, in a dialectical-critical way, the
relations of the semioses projected by Slam das Minas with the other elements in the
practice in which it is inserted, as well as the projections of meanings - within the order
of discourse - referring to representational, identificational and actional modes ; and
problematize Slam das Minas as a social, artistic-cultural and political movement of
resistance that aims to combat and denounce the systemic oppression experienced by
black, marginalized and peripheralized Brazilian women. To this end, an initial discussion
will be held on the concepts of intersectionality (COLINS; BILGE, 2020; CRENSHAW,
1991; SAFFIOTI, 2019; CARNEIRO, 2019), decoloniality (CURIEL, 2020; LUGONES,
2020; QUIJANO, 1992, 2005; RESENDE , 2019; SANTOS, 1992) and black feminism
(BUTLER, 2003, 2018, 2019; COLLINS, 2019; GONZALES, 2020; HOOKS, 2019;
LERNER, 2019; RIBEIRO, 2017, 2018), given the relevance of these themes for the
analysis that the research proposes to carry out. In a second part, studies related to Critical
Discourse Analysis (CHOULIARAKI; FAIRCLOUGH, 1999; FAIRCLOUGH, 2001,
2003, 2016; BARROS, 2015; RESENDE, 2009; RESENDE; RAMALHO, 2009) will be
addressed, following a decolonial premise, feminist and intersectional. Finally, following
the steps of the conjuncture analysis framework proposed by Chouliaraki and Fairclough
(1999), seven poems inscribed by Slam das Minas poets will be investigated and, as a
guiding axis, we will have an intersectional complexity that permeates and composes the
woman, linked to a representation that describes and acts on the world, marked by a
performative ritual, which implies control over bodies in action. It will be possible,
therefore, to observe that the space conquered through Slam das Minas can be considered
a place of denunciation and awareness that contributes to the discernment of several
feminist guidelines linked to artistic expression. Furthermore, we envision that
decoloniality, intersectionality and black feminism contribute to the debates, concepts
and movements of analysis of the ways of being, being and representing in Critical
Discourse Studies.

BANKING MEMBERS:
Interno - 1544164 - CLAUDIO MARCIO DO CARMO