BET ON FAILURE: CLOWNCRAFT AND SUBJECTIVATION
CLOWNCRAFT; SCENIC ACTING; subjectivity production
The theatrical work with the clown opens a fissure in the political fabric, through which it is possible to let out what it tries so hard to hide: desire. In this work, it is proposed that there is the possibility of producing different modes of subjectivation, through clowning.
For there is an immanent joy in desire (DELEUZE; GUATTARI, 2012, p. 15). Joy is, perhaps, an element of crucial importance for us to understand resistance, because, like mortal remains, it insists on always returning. And in doing so, it manages to promote
dimension of the possible in the stratification of subjectivity.